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Go Back The Photo Forum - Photography Discussion Forum » Foundations of Photography » Beyond the Basics » Working with RAW....

Go Back Beyond the Basics: Have you been at photography for awhile? This is the forum for more advanced discussion of photography, such as exposure methods, lighting, and other techniques and controls!

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Old 03-22-2008, 09:18 PM   #1 (permalink)
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Working with RAW....

OK...so today my friend welcomed her husband home from Iraq, and I took a LOT of pictures. They are all in RAW format...and now Im not too sure what to do with them. Do I need to sharpen them? I know how to fix the exposure...kinda...sorta....

OK...I totally dont know what im doing....

help!
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Old 03-22-2008, 10:49 PM   #2 (permalink)
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Open them up in Adobe Lightroom, or Adobe CameraRAW for photoshop and leave all the settings per default if you don't.

Other than that play around with those programs, the various settings will soon make sense.
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Old 03-23-2008, 05:36 AM   #3 (permalink)
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Well, think of RAW as a digital negative; you need to develop it. Using the software Garbz mentioned, or Canon's software or whatever you have, you will process them to achieve your desired result.

Start with the very basics - exposure, WB - and work from there slowly. Sharpen them if you think they need sharpening.

RAW gives you the ability to argue with your camera; if you don't like the settings it applied to your photos you can change them, from WB and brightness to curves and advanced color correction.

RAW obviously gives you a lot more flexibility and creative control, also the ability to salvage some photos, but if you find that you are always happy with your default camera processing, consider JPG.

Don't forget to export the processed photos to JPGs too!
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Old 03-23-2008, 05:54 AM   #4 (permalink)
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Usually, I use RAW primarily to get the exposure and color balance correct, then I export it as a TIFF and do my normal workflow in CS3. That may seem counter-intuitive to some people, but I find that I have more control in CS3 (it's probably that I'm just more used to CS3). Definitely look at saturation while you're in the RAW program....RAW's tend to be less saturated because the camera hasn't touched em yet. As far as RAW sharpening, it works well, but sometimes it's a little harder for me to see the changes in the RAW edit, so I'll do minimal sharpening in RAW and then get it right in CS3.
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Old 03-23-2008, 08:08 AM   #5 (permalink)
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I see that I am starting to often use a combination of Capture NX, export to TIFF and touchup in CS3 before exporting to JPG via Noise Ninja.

In Capture NX I setup a batch job to apply auto D-Lighting and increase sharpening by 50% and export to TIFF. I then go through all the TIFFs in a viewer full screen and note all the TIFFs that I want to touch up in CS3. Then (don't laugh) if I am really lazy, I use noise ninja to batch convert from TIFF to JPG using a special noise profile where NO changes are made, it just converts. If I have taken a series of pictures that I feel need noise reduction, as part of the batch job I tell it to profile EACH picture and remove the noise based on the profile it creates before exporting to full size JPG.

I've been happy with the results and the time spent on each pic overall is much reduced. For me, at least an easy 50% savings in time nehind the screen. However, if I want the BEST results, its all done in CS3, one picture at a time. I really need to learn about actions in CS3. Oh well, someday.
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Old 03-23-2008, 08:16 AM   #6 (permalink)
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Quote: Originally Posted by kidchill View Post
Usually, I use RAW primarily to get the exposure and color balance correct, then I export it as a TIFF and do my normal workflow in CS3. That may seem counter-intuitive to some people, but I find that I have more control in CS3 (it's probably that I'm just more used to CS3). Definitely look at saturation while you're in the RAW program....RAW's tend to be less saturated because the camera hasn't touched em yet. As far as RAW sharpening, it works well, but sometimes it's a little harder for me to see the changes in the RAW edit, so I'll do minimal sharpening in RAW and then get it right in CS3.
About the only thing that I've ever done in RAW is color balance and even that, very little. I'm curious about the exposure adjustments. From my way of thinking, if there wasn't enough light when you took the picture, how much can you really do after the fact? Also, whatever you can do with exposure adjustments can also be done with TIFF and jpg. What's the benefit to RAW for that purpose?
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Old 03-23-2008, 11:07 AM   #7 (permalink)
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You got a disc with software when you bought your camera. It is actually VERY good software for tooling with RAW files (same software you installed to download pics form your camera onto your pc - there are various programs, one of which lets you play with your raw files. Sorry - can't remember the name right now). Open it up, select your folder, double click a photo to get it in a separate full screen window. At the top you'll have the regular selections (File, Edit etc.), but you can pull up your tools by left clicking the mouse.

ONce you've got your tools up, there are three layered windows. The top/first is ONLY applicable/usable with Raw files. It lets you adjust white balance, settings (standard, portrait etc.), contrast and some others.

Nobody can tell you what to do from here. It could be your photos were taken perfectly, and any messing will ruin them. It could be you forgot to change the white balance, so all your photos are "off". Play with the tools, understand what they do, and then "fix" anything that needs it.

It's all about your eye, what you want. Good Luck!
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Old 03-23-2008, 12:20 PM   #8 (permalink)
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Quote: Originally Posted by Socrates View Post
Also, whatever you can do with exposure adjustments can also be done with TIFF and jpg. What's the benefit to RAW for that purpose?
RAW is more accurate and will give better results when trying to rescue an image. Yes, people WILL say 'well i wouldn't be in that situation because my exosures are never that bad'... well nice, but thats up to you... the fact is its there if you need it.

This website is good for info and tests, maybe it will help answer yours and the OP's questions.

http://www.luminous-landscape.com/tu...-follies.shtml
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Old 03-23-2008, 12:24 PM   #9 (permalink)
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Reply to Socrates:
The whole idea is that you don't lose any info in the processing. You'd be surprised how much data can be salvaged with adjusting exposure. I feel that's one of the primary benefits of using RAW. Some info says it's better to overexpose than underexpose for RAW adjustment. If you touch levels or curves than you ARE essentially adjusting exposure.

The point is that once you take that picture in TIF or JPG format the camera has already sent it through its own algorithm and applied changes. That data from compression and the algorithm is forever gone. Also, I can take 14-bit RAW pics with my camera, but the JPG will only be 8-bit. That's almost twice the bit depth. That's kinda the whole point of RAW.

Also, I try to get the picture in RAW editing as close as I can to what the final product will be and then I convert to TIF so the only data I'm losing is data that I didn't want in the first place. From the TIF stage I can further edit without loss and then convert to JPG (which will compress and lose data).
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Old 03-23-2008, 05:18 PM   #10 (permalink)
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Quote: Originally Posted by Socrates View Post
Also, whatever you can do with exposure adjustments can also be done with TIFF and jpg. What's the benefit to RAW for that purpose?
RAW contains more information, giving you a bit more leeway when doing adjustments. When editing RAW files, within limits, you don't change the original information in the file, you pick what part of it you want to use. With JPGs you are essentially painting over the original.
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Old 03-26-2008, 07:07 AM   #11 (permalink)
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I've been shooting RAW for about a month now and am totally in love with the format. It is impossible to count how many times it has saved my highlights from being blown, pretty useful especially when you are still getting used to a dslr. A little tip for the ones using photoshop to "develop" their RAW files (well, most of advanced users know it already, but still...) - always do your sharpening and noise reduction at 100% magnification or you won't see what you actually are doing with the image.
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Old 03-26-2008, 01:48 PM   #12 (permalink)
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So shooting in RAW is primarily for editing, and offers the ability to correct any mistakes you, or your camera may have made? I occasionally shoot in RAW, just because I heard it gave me more control over my photos, but honestly. I rarely need it, or so I think. Could someone show us an image shot in RAW, and then a JPG or TIFF? Is there a noticeable difference to the naked eye?

Are there any tips or tutorials on how to edit RAW photos appropriately in Lightroom?

Shooting with a D80, if that even matters. Haha. Thanks!
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Old 03-26-2008, 02:15 PM   #13 (permalink)
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If you want to just view and check them, you could use the windows powertoy "Raw Image Thumbnail and Viewer" at the link below. It installs the files necessary to view it the same way you do a JPG, using windows.

Assuming you're using a windows based system, otherwise disregard this entire post.

http://www.microsoft.com/downloads/d...displaylang=en
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Old 03-26-2008, 02:36 PM   #14 (permalink)
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I always just use the RAW editor in Photoshop CS3. It's all a matter of experimenting and what-not. Everyone has their own style so editing your RAW photo is just a matter of trial and error.

Good luck.
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Old 03-27-2008, 04:12 AM   #15 (permalink)
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Quote: Originally Posted by Socrates View Post
From my way of thinking, if there wasn't enough light when you took the picture, how much can you really do after the fact? Also, whatever you can do with exposure adjustments can also be done with TIFF and jpg. What's the benefit to RAW for that purpose?
When I was making exposure mistakes with learning off camera strobes and what not, I was able to do a lot more exposure and light manipulation with a RAW file than TIFF or JPG. Especially with the shadows silder... I did not find that anywhere else but in camera raw. Saved me a few pictures for sure!

Of course once you get better at taking pics properly, there is a reason you want TIFF and JPG still. TIFF you save to when you have more processing or playing to do with the picture or to go back and make additional changes without the worries of generational losses. JPG should always be created just once... for the final output to send to a printer, lab or web.
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Old 03-27-2008, 06:44 AM   #16 (permalink)
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Quote: Originally Posted by Arch View Post
RAW is more accurate and will give better results when trying to rescue an image. Yes, people WILL say 'well i wouldn't be in that situation because my exosures are never that bad'... well nice, but thats up to you... the fact is its there if you need it.

This website is good for info and tests, maybe it will help answer yours and the OP's questions.

http://www.luminous-landscape.com/tu...-follies.shtml
Those aren't JPEG follies. Those are exposure and technique follies. Once you get some experience you'll recognize the backlighting issue and even if you only have the on board pop-up flash you're set. You've also got instant image review and should be able to instantly see the issue, even if you're just looking at the histograms, and then re-take the shot. To my eyes, both of the recovered backlit photos look like crap compared to what you would have gotten with a properly exposed fill-flashed photo to begin with.

At the same time though, that very example also blows the "JPEG throws away all your data" myth, particularly in the shadow recovery aspects. What do you see in both examples? Perfectly recovered shadow details in both JPEG and RAW. I see far too many people saying that you "can't" do something as simple as shadow detail recovery with JPEG and this proves that you can. On the JPEG, you could easily increase saturation just a tad. Yes it'll look rougher than the RAW I'm sure, but you wouldn't even have to be screwing around with any of this and you would have a superior looking photo had they just used the pop-up flash in the first place. Try your best to get it right on the camera the first time. Most of my mistake are far less severe than this, which is why I feel little need to shoot in RAW the vast majority of the time.
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Old 03-27-2008, 08:38 AM   #17 (permalink)
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Im not sure what point you are trying to make?

Quote: Originally Posted by Mav View Post
Those aren't JPEG follies. Those are exposure and technique follies. Once you get some experience you'll recognize the backlighting issue and even if you only have the on board pop-up flash you're set. You've also got instant image review and should be able to instantly see the issue, even if you're just looking at the histograms, and then re-take the shot. To my eyes, both of the recovered backlit photos look like crap compared to what you would have gotten with a properly exposed fill-flashed photo to begin with.
Exactly which is why i said....

Quote: Originally Posted by Arch View Post
Yes, people WILL say 'well i wouldn't be in that situation because my exposures are never that bad'... well nice, but thats up to you... the fact is its there if you need it.
... and he also quite clearly states at the end of the page that he would obviously not try and take a photo that bad... its how you can rescue an image.

Quote: Originally Posted by Mav View Post
At the same time though, that very example also blows the "JPEG throws away all your data" myth, particularly in the shadow recovery aspects. What do you see in both examples? Perfectly recovered shadow details in both JPEG and RAW.
Erm i don't at all. I see the RAW be far better than the blocked out jpeg...

Quote: Originally Posted by Mav View Post
I see far too many people saying that you "can't" do something as simple as shadow detail recovery with JPEG and this proves that you can. On the JPEG, you could easily increase saturation just a tad. Yes it'll look rougher than the RAW I'm sure,
Exactly.

Quote: Originally Posted by Mav View Post
but you wouldn't even have to be screwing around with any of this and you would have a superior looking photo had they just used the pop-up flash in the first place. Try your best to get it right on the camera the first time. Most of my mistake are far less severe than this, which is why I feel little need to shoot in RAW the vast majority of the time.
See the first paragraph, its not about not being bothered to use proper photography techniques, its about saving an image which you find you really want to keep when you may have messed up, or through no fault of your own, didnt come off as well as you thought.

The bottom line is RAW IS better at saving highlights and shadow detail than jpeg, i dont care what Ken Rockwell or any other photographer says about it. I have said this before if you dont want to shoot RAW and prefer jpeg then fine.. no problem... but if you ever want to recover a shot that didn't go to plan OR are just into creating images with alot more processing RAW is your best bet.
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Old 03-27-2008, 10:35 AM   #18 (permalink)
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Quote: Originally Posted by Mav View Post
At the same time though, that very example also blows the "JPEG throws away all your data" myth, particularly in the shadow recovery aspects.
The loss of data due to resaving is no myth. There is a reason its called a lossy format vs a lossless.

http://www.camsul.com/tutorials/PixelLossInJPEG/
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