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  1. #1
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    Canon AE-1 Wireless/remote flash

    Hey everyone...I've recently taken up photography and purchased a Canon AE-1. I love the film aspect and really think that it's helped my understanding of photography before I go purchase a digital slr.

    My question is this...has anyone ever used remote flash longer than 12" or a wireless sensor with a wireless remote flash with this or a similar camera? Is it possible to do? I need to get more light on some of my subjects but hate the on camera flash.

    Thx
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

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  3. #2
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    Plain jane Xsync can be done wirelessly via radio triggers.

    Expensive ones => Google Pocketwizards

    Cheap ones => Google Cactus triggers

    There are many others available too.



    If you want to use corded, paramount cords should be able to help you out. http://www.paramountcords.com/
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    Will any radio trigger work?
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

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    Basic Xsync should work on any camera. You'll have to deal with exposure yourself.

    TTL is a different story.



    I use cheap cactus triggers which have worked on all my cameras which range from early 50s vintage to modern digital.


    Another that I use

    * Sunpak 422D (shoe is attached to a module that can be replaced)
    * Sunpak CA-2D module (Do your research to make sure that this is the correct module for the AE-1)
    * Sunpak EXT-10

    All together, you get an offshoe capable flash that should TTL with the Canon AE-1 (assuming the correct module). Not quite 12 feet though.
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    How would you compensate for exposure? With the Speedlite 155a it selects SS of 60 automatically.
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

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    From here:

    Some basic information relates to the Original 155A Speedlite

    "When used with any camera other than the AE-1, the Speedlite 155A provides typical thyristor automation. You have a choice between two apertures you can use. However, when teamed with the AE-1, the Speedlite 155A automatically sets both the f/stop and the shutter speed. But the later Speedlites designed by Canon also offered similar capability (As what we have refer to as 'dedicated' function - control by the three contact points at the foot of the flash unit, each relay or communicate certain info with the SLR body). Thus, you need not have to specifically locate the 155A for your AE-1."

    That flash seems to be rather limited.... no manual mode, only two apertures with an autothrystor. I'm not familiar with it but it should at least trigger. But it doesn't give you output control.... you can do some exposure compensation via aperture.
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    12" = 12 Inches. Is that what you meant, or did you mean 12 feet?

    When it comes to exposure for this lighting venture, you really should look into getting a decent incident meter, if you don't have one already. As usayit noted, you can get some adjustment with aperture. You can also use distance from flash to subject and modifiers from umbrellas to gobos and flags to reflectors to control the amount of light. Again, I'd really recommend a decent meter to dial it in if you don't have one.
    Your honest C&C is always welcome and appreciated. For those with such interests: My Gear
    "Photography's never been merely about photographing what you could see; it's always been about photographing what you wanted to see." ~ Ctein
    Life is like photography... FOCUS on what's important, CAPTURE the good times, DEVELOP from the negatives, and if things don't work out, TAKE ANOTHER SHOT!!!

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    So basically just trial and error with exposure when using remote flash?
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

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    Quote Originally Posted by Buckster
    12" = 12 Inches. Is that what you meant, or did you mean 12 feet?
    yes 12 inches. That's the length of the standard synchro cord for the 155a (labeled to be used with the 199a).
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

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    Quote Originally Posted by reavesce View Post
    So basically just trial and error with exposure when using remote flash?
    Not if you get an incident meter, which is why I highly recommend it. Trial and error when you can chimp the back of a digital camera isn't as painful as trial and error with film when trying to work this sort of thing out without one.
    Your honest C&C is always welcome and appreciated. For those with such interests: My Gear
    "Photography's never been merely about photographing what you could see; it's always been about photographing what you wanted to see." ~ Ctein
    Life is like photography... FOCUS on what's important, CAPTURE the good times, DEVELOP from the negatives, and if things don't work out, TAKE ANOTHER SHOT!!!

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    Where can I find one?
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

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    Adorama, B&H, Amazon, Ebay, etc., etc., etc...
    Your honest C&C is always welcome and appreciated. For those with such interests: My Gear
    "Photography's never been merely about photographing what you could see; it's always been about photographing what you wanted to see." ~ Ctein
    Life is like photography... FOCUS on what's important, CAPTURE the good times, DEVELOP from the negatives, and if things don't work out, TAKE ANOTHER SHOT!!!

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    Forgive my amateur questions, but are incident meters and light meters the same, or are they different?
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

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    Quote Originally Posted by reavesce View Post
    Forgive my amateur questions, but are incident meters and light meters the same, or are they different?
    All incident meters are light meters, but not all light meters are incident meters. Some light meters are only reflective meters, like those that are built into cameras.
    Your honest C&C is always welcome and appreciated. For those with such interests: My Gear
    "Photography's never been merely about photographing what you could see; it's always been about photographing what you wanted to see." ~ Ctein
    Life is like photography... FOCUS on what's important, CAPTURE the good times, DEVELOP from the negatives, and if things don't work out, TAKE ANOTHER SHOT!!!

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    So my next question...

    Let's say I have a subject whose exposure is indicating a 1/250 ss with f/5.6. However, I want to use side lighting to for creative purposes. Will that change exposure? If so, how?

    By the way, I want to express my gratitude and appreciation for those who have already taken the time and who continually answer my questions. It's difficult to learn all of this stuff at once.
    Canon 1100D (Rebel T3); 50mm f/1.8; 75-300 f/3.9; FD 50mm Macro f/2.8

 

 
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