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  1. #1
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    Am I getting sufficiently good at this yet?

    I was lucky enough to get a friend of a friend to model for me. And damn can she model! But anyway, I would like to know what you guys think of these newest portraits. My responses so far on previous photos have been moderate-to-good, which is fine, but I want to impress!

    Here are some samples.



    And if you're curious for more, there's always the full gallery.
    Browse my photos on Flickr, if you like.

    Currently a Pentaxian. Favourite lens: 100mm f2.8 Macro. I now have all the lenses I need. On to lusting over lenses I want.

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  3. #2
    Been spending a lot of time on here!
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    The last one is my absolute favorite! I love it! Great job!

  4. #3
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    More off camera flash and more attention to the environments and distance to background.

    I can see what looks like a fold up table and a tripod in the background of one of them. What does the wood floor add? what does it tell?

    Women generally look better with softer light.

    If you're going to side-lighting, it's generally a better idea to have the light higher above the subject to the nose shadow goes long the cheek smile lines.

    Color balancing is key.
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  5. #4
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    Hmm. None of these shots had onboard flash; the closest thing was my flashgun held at left-arm's length.

    I thought the tripod, etc in the one shot wouldn't do any harm because they are so much darker than the subject that they do not attract much attention, not to mention that I kind of wanted to include the fact that this was a studio setting in the photo. Plus All of the other shots had a pure black background and I thought some variance would spice things up. But maybe this was a bad choice?

    The wood floor adds nothing more than any other type of floor, I suppose. The shot of her on her back was supposed to imply vulnerability or desperation. I'm not sure what you take issue with, the fact that's it's a wood floor or that there's a floor in the shot at all. Is it bad to have included the floor?

    I know softer light is more flattering, and 3 of the six shots here have that. I intentionally lit the other three with a single handheld 12" softbox because that's the effect I wanted. Was that a bad choice too? Should I stick to plain vanilla portraiture?

    Don't get me wrong, I love critique! And thank you! But I'm not sure I understand nearly any of your points.
    Last edited by Dubious Drewski; 04-01-2008 at 02:17 AM.
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  6. #5
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    I like the poses and colours on these Dubious.

    The shadows are a little on the harsh side, particually on #4, but tbh its not overwhealming any of the shots too much.

    Good Job

  7. #6
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    What does the wood floor add? what does it tell?
    The wood floor adds nothing more than any other type of floor, I suppose. The shot of her on her back was supposed to imply vulnerability or desperation. I'm not sure what you take issue with, the fact that's it's a wood floor or that there's a floor in the shot at all. Is it bad to have included the floor?
    I think the 'floor' picture is the best one of the lot but I think Sw1tch has a good point -- the floor could be used to enhance this photo whereas right now, it's just a floor. Maybe make the crop wider and show more of the floor in the direction she's looking, that would increase the feeling of being alone and vulnerable. It's a good picture, but the elements in the photo could be used to make a great picture.

    hey are so much darker than the subject that they do not attract much attention
    I think you achieved the opposite. My eyes were drawn to the dark things in the background trying to figure out what they were.
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  8. #7
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    Quote Originally Posted by rufus5150 View Post
    Maybe make the crop wider and show more of the floor in the direction she's looking, that would increase the feeling of being alone and vulnerable.
    Ah, now I see. That makes sense.

    Quote Originally Posted by rufus5150 View Post
    My eyes were drawn to the dark things in the background trying to figure out what they were.
    Well when you put it that way, I can see your point. I guess that would happen, huh. Well then I wonder: how the heck can I have a non-blank background in a portrait that doesn't distract from the subject?

    I wanted the objects to be visible. I wanted it to look like she was sitting in a studio. There's got to be a way to shoot this successfully.
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  9. #8
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    how the heck can I have a non-blank background in a portrait that doesn't distract from the subject?
    Others might have better suggestions, but one or two objects to me says 'look at me'. If you had a lot of objects and they were subject to a medium amount of bokeh, you can imply without stating explicitly.

    The other you might go about it is to integrate her into the objects and make the objects part of the scene (leaning on a folded up tripod, etc though that's probably a bad example). In-focus props in the background of a portrait are often distracting, using the props within the photo pulls them into the scene. With a few objects as part of the composition, the background objects, even if in focus, can be viewed in context. My feeling, on that picture, is that it's just stuff in the background.

    Also, temper everything I say with the fact that I'm a newbie to this as well.
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  10. #9
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    No man. An opinion is an opinion, and you articulate yours well. Thank you.
    Browse my photos on Flickr, if you like.

    Currently a Pentaxian. Favourite lens: 100mm f2.8 Macro. I now have all the lenses I need. On to lusting over lenses I want.

  11. #10
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    Very nice. The last one is my favorite. I love the hair. Keep it up
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  12. #11
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    #1 is nice. #'s 2 & 3 are kinda creepy (especially the grin of #3). #4 & #5 very nice. #6 very abstract. I would have liked to have seen more of the floor the direction she was looking... But all in all, a good set.
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  13. #12
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    Here, I applied a lens blur to the background of this one:

    I think it does look better, thanks for mentioning it, everbody. Though I'm still unhappy with the lighting. Next time, I'll be sure to have a subtle fill and/or rim light at least.

    As for the floor photo - that wasn't cropped, so that's all I had to work with. But now I'll know for next time.

    Plus I just learned that my umbrella can be shot through if I take the outer skin off! Neato! I'm so using that.
    Browse my photos on Flickr, if you like.

    Currently a Pentaxian. Favourite lens: 100mm f2.8 Macro. I now have all the lenses I need. On to lusting over lenses I want.

  14. #13
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    I love the set.. they are very vibrant and fun to look at.

    Only cc I have is be careful with having your model look too far away from you. Maybe it's just me.. but one of my pet peeves is eye positioning for my models. In #6 if you can catch a little more eye color instead of all white the picture always seems to be a little bit softer. It looks like you attempted this but she just has really light eyes.. so maybe brighten them up a bit so they're easier to see.

 

 

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