14 questions needed answered

Unimaxium said:
oops, looks like matt posted his answers while I was writing mine.

Hey, the more the merrier. At least now he knows I wasn't trying to mess him up :twisted:
 
do let us know the grade you receiven on your homework, mmkay. :D
 
:smileys:

1. Open the back
2. Buying the film
3. Time, Temp, and volume
4. Nothing if changes are opposites
5. No lens is average
6. All the same, because Volume of light is effect by time
7. Any
8. All, but
9. Only 2 Shutter speed and F-Stop; film speed does not effect how much light reaches the film
10. White and black
11. The subject
12 All within EV range
13. f1.8

14. Move the background
 
I think the answers depend on wether you believe in God or Camus (I get different ones because I follow the philosophy of Lao Tzu) ;-)
 
Jamigre =

Here is the graded test, the *OKs* are my professors responses.

1. How do you check to see if the film is
> actually going through the camera after
> you put in a new roll?
> With an older style mechanical 35mm SLR the rewind knob should rotate as the
> film is advanced. Modern electronic auto-focus 35mm SLRs and medium format
> SLRs normally won't function if the film is not advancing properly.

OK
>
>
> 2. Which step (of the ten steps) in
> developing film is critical?
> Developer

ok
>
>
>
> 3. And what are the (three) critical
> measures?
> Temperature, time, and agitation.

ok
>
>
>
> 4. How do changes in these (above)
> effect the film?
> More temp, more time, more agitation usually results in more contrast and a
> denser negative. Less of these things results in the opposite.

ok
>
>
>
>
> 5. List the F-stops normally found on
> the average lens, in order (but not
> for a Zoom lens).
> f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22

ok
>
>
> 6. Which F-stop which lets in the
> most light.
> f/2

ok
>
>
> 7. What shutter speeds can you use
> for held-held camera use?
> Use a shutter speed that is the reciprocal of the focal length or faster

ok: numerically "equal" since most people talk about 60th or 250th of
a second as if they are whole numbers. But technically you are most correct.
>
>
> 8. What shutter speeds can you use
> with an electronic flash? How do
> you determine that for _your_ camera?
> For a focal plane shutter you need to be at the flash sync speed or slower.
> This is usually marked on the shutter speed dial, and it's in the manual.
> Leaf shutters sync at all shutter speeds.

ok - shees you looked this up on the net?
>
>
>
> 9. What determines how much light
> reaches the film? (three things)
> Shutter speed = time and aperture (f/stop) = intensity

2/3 haha - everyone fails to think of "available light"
>
>
> 10. What should you avoid metering?
> (give a couple of examples)
> Things that are very light or very dark, unless you understand how your
> meter works, and then you'd have no problem

ok - but keep "light objects" more in mind. "overall dark scenes" are
difficult to meter.
>
>
>
> 11. What sort of thing would be best
> to meter in a subject?
> The most important thing. Hopefully it's middle gray

no. the most important dark areas you need to record. Almost always the
shadowed areas. the rest will take care of itself.
>
>
>
> 12. If your camera's meter suggests
> F-16 at 1/500th of a second, what
> additional f-stop and shutter-speed
> combinations will let in the same
> amount of light?
> f/4@1/8000 = f/5.6@1/4000 = f/8@1/2000 = f/11@1/1000 = f/16@1/500 =
> f/22@1/250

ok - super camera, heh. have you considered f:2.8 at 1/16000? :)
>
>
>
> 13. If you want the background out of
> focus (for example, for a portrait),
> what f-stop(s) might you select?
> f/2

ok
>
>
>
> 14. (For the above) What else could be
> done to keep the background out of
> focus?
> Use a longer focal length or decrease subject to camera distance.

ok (images taken with different FL lenses, so that they present the
subject at the same size, will have the same DOF at the same f-stop. Thus
using a 90 mm lens, and backing up to fill the frame, will get the same
results as a 50mm lens closer up. Perspective will change, however.)
>
>
>
> (end)
90%
 
Congrats to ksmattfish on his A :p
 
For 13, look up, depth of field.

For 8, look at the shutter speed dial on a camera.

For 6, you can find the answer again, by looking up depth of field. They kind of have to do with each other. if you find a good course it'll mention this.

For 7, kind of has to do with 8.

For 9, kinda obvious when you pick up any roll of film.

For 2, THERE ARE 10!? What film is this?? BW or colour?? Does this include washing and drying lol? I really don't know. i think of them as all critical. Maybe..oh i dont know. I'll take a stab and say its a trick question and say stop bath lol
 
Normally Orie i would agree with you, but did you see his answer given to the question posed to him? We tried to trip him up and he answered with an intelegent thoughtful answer. I think he deserved the answers...... this time. :D
 
BruceLee's teacher said:
> For a focal plane shutter you need to be at the flash sync speed or

ok - shees you looked this up on the net?
Hahahaha! :lmao:

BruceLee's teacher said:
10. What should you avoid metering?
> (give a couple of examples)
> Things that are very light or very dark, unless you understand how your
> meter works, and then you'd have no problem

ok - but keep "light objects" more in mind. "overall dark scenes" are
difficult to meter.
Black and white only and a little bit with color negative. Try this with slide film and you'll have a bunch of over exposed pictures.

And one more thing. If you couldn't figure these out from the book I can only assume your teacher said to read, if not even gave to you, enjoy your 90% as much as you can until kharma catches up to you :wink:
 
Havoc said:
Normally Orie i would agree with you, but did you see his answer given to the question posed to him? We tried to trip him up and he answered with an intelegent thoughtful answer. I think he deserved the answers...... this time. :D

He probably went to another forum to cheat on that one...
 

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