pendennis
No longer a newbie, moving up!
- Joined
- Jun 9, 2014
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- 337
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- Location
- Dearborn, MI
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My hunch is that if there is a wedding photographer who is willing to hire you or even let you hang out for no pay, you are probably looking at the lower end of the skill/experience level of wedding photographers. As such, what little experience you get doing that might be useless or misleading...I just wanted to know if there's an entry position for weddings? Or even another field of photography where I can support myself. I don't accept the fact that one needs years of experience to get started.
When considering such an arrangement, I suggest that you look critically at his/her portfolio as if you were thinking of hiring him/her. If the portfolio looks wonderful, then you have a good chance of actually learning photography. If not, keep looking.
Meanwhile, there might be an entry-level position with another photographer in some other field, but you're going to have to use your imagination to find him and be hired. Some real-estate photographer, or something like that with the need for a "grip" to man-handle the lights, etc. might actually be something to look for.
Appreciate this post. The guy is Definitely not an amateur photographer though. The guy I know uses a Sony a7r2 and a 24-70. He's helped the other guys a few times and has great photos. I know what equipment it takes to photograph a wedding, I just don't have the money for a full frame yet. I want to save up for a canon 5d mark 4 with 24-70. It's one of those scenarios where I have what I have and want to do something with it.
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Again, just buying a Canon 5D won't begin to help you meet the equipment requirements. Basic equipment costs start in the low thousands, and move up quickly from there. You haven't mentioned anything about lighting. A single on-camera dedicated flash will work for Uncle Barney, but lighting will require several (think four or five) flashes at a minimum. The Canon body will be a primary, but you also have to have an additional Canon full frame as a back up.
You have to know your equipment by touch. You don't have time to grope for differences in control placement. I stopped just at the dawn of the digital age. My primary cameras were three Mamiya 645 Supers. And lenses were redundant - 2 55mm W/A's, 2 80mm's, 2 150mm's, etc.; and multiple film backs and inserts. I also ended up with a fourth 645 Super, because one was sometimes in the shop for repairs.
Oh, and I kept a loaded Nikon F5 kit in my van - just in case.
I had almost thirty years of wedding and portrait experience, and I dropped out of wedding photography long before I gave up portraits. (That's another animal altogether.)
The hours of preparation, and post-shooting are long and hard. The wedding days ran to sometimes 26 hours.