John Orrell
TPF Noob!
- Joined
- Nov 16, 2004
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- 156
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I've shown this before, but not under "critique"
The baby (who's now 4 years old) is my wife's niece, being carried by her father. It was an opportunist shot, taken at a famous Blackpool funfair in October 2001. I know the background's less than ideal and a little distracting, but I chose a wide aperture to blur it. I could have perhaps gone wider still, but I was still in my DOF learning-phase back then.
The thing I like about this shot is the juxtaposition of a small, delicate one-year-old child being carried by the ear-ringed father whose face we don't see. In the UK there are some (largely unjustified) unflattering connotations attached to blokes who wear ear-rings: they're either gay or "rough". Just to prove the connotations wrong, the guy in question is neither of these, but non-the-less I do like the juxtaposition.
The photo was taken on an Olympus OM1N + 50mm F/1.8 at 1/125th sec @ either F/2.8 or F/4 (can't remember which). Film-stock was Fuji Sensia 100, which I've slightly desaturated in Photoshop, because I find the reds too intense for portraits (everyone's lips glow red :shock: )
The baby (who's now 4 years old) is my wife's niece, being carried by her father. It was an opportunist shot, taken at a famous Blackpool funfair in October 2001. I know the background's less than ideal and a little distracting, but I chose a wide aperture to blur it. I could have perhaps gone wider still, but I was still in my DOF learning-phase back then.
The thing I like about this shot is the juxtaposition of a small, delicate one-year-old child being carried by the ear-ringed father whose face we don't see. In the UK there are some (largely unjustified) unflattering connotations attached to blokes who wear ear-rings: they're either gay or "rough". Just to prove the connotations wrong, the guy in question is neither of these, but non-the-less I do like the juxtaposition.
The photo was taken on an Olympus OM1N + 50mm F/1.8 at 1/125th sec @ either F/2.8 or F/4 (can't remember which). Film-stock was Fuji Sensia 100, which I've slightly desaturated in Photoshop, because I find the reds too intense for portraits (everyone's lips glow red :shock: )