Lol999
TPF Noob!
- Joined
- Nov 8, 2005
- Messages
- 316
- Reaction score
- 0
- Location
- Chesterfield, Derbyshire, England
- Website
- www.17minutes.co.uk
Last week I'm out and about on the prowl with my gear. End up at the local canal and surrounded by a horde of swans and geese. This is the first time I've photographed birds and their heads whip round like fire hoses! Focussing manually it's a real effort to capture the little "darlings".
I move on and drop into my local tattoist/piercer. This guy did some work for me this year and I really wanted to photograph him due to his facial tattoos. When I get there he's closed, late opening up, so I have to hang around another half an hour. When I get in he's busy tattooing so I approach the piercer, a girl called Samantha (Sam). She's a bit suprised by my request to photograph her but up for it, easy to talk to and keen to please. The photographing experience went well with good feedback from my model. Finally my tattooist is free and is cool about bewing photographed. It's as natural to him as breathing and happy to pose pretty much how I want. Trouble is he's really difficult to work with! he's a really nice guy but, for want of a better phrase, emotionally dead. There's no connection with the guy. When it came down to it it was really hard since I'm trying to capture the human emotion when he's about as emotionally giving as a dead haddock!
A wek later and I get my film developed. Not happy! I had used a roll of Fuji Pro 800 ASA through my camera. man, the grain! A few of my bird headshots come out acceptably in focus etc but the grain ruins everything. I've been trying this as a "suit all" and it just doesn't happen, least not for me. looks like a switch to a fine grain colour for my landscape-y, portrait type stuff and I'll switch to XP2 or something similar for my street/reportage stuff. Which means buying another body since I only have one!!
I know it's been 18 years since I last photographed with intent, but I don't remember it being as frustrating as this!
Lol
I move on and drop into my local tattoist/piercer. This guy did some work for me this year and I really wanted to photograph him due to his facial tattoos. When I get there he's closed, late opening up, so I have to hang around another half an hour. When I get in he's busy tattooing so I approach the piercer, a girl called Samantha (Sam). She's a bit suprised by my request to photograph her but up for it, easy to talk to and keen to please. The photographing experience went well with good feedback from my model. Finally my tattooist is free and is cool about bewing photographed. It's as natural to him as breathing and happy to pose pretty much how I want. Trouble is he's really difficult to work with! he's a really nice guy but, for want of a better phrase, emotionally dead. There's no connection with the guy. When it came down to it it was really hard since I'm trying to capture the human emotion when he's about as emotionally giving as a dead haddock!
A wek later and I get my film developed. Not happy! I had used a roll of Fuji Pro 800 ASA through my camera. man, the grain! A few of my bird headshots come out acceptably in focus etc but the grain ruins everything. I've been trying this as a "suit all" and it just doesn't happen, least not for me. looks like a switch to a fine grain colour for my landscape-y, portrait type stuff and I'll switch to XP2 or something similar for my street/reportage stuff. Which means buying another body since I only have one!!
I know it's been 18 years since I last photographed with intent, but I don't remember it being as frustrating as this!
Lol