Queen Mary

Discussion in 'Landscape & Cityscape' started by doingcool, Mar 16, 2009.

  1. doingcool

    doingcool TPF Noob!

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    1
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    6
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    7
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    8
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  2. Yemme

    Yemme No longer a newbie, moving up!

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    3 & 4 are my favorite. I love them all actually.... The reflections off the windows is beautiful and thorough them.
     
  3. flea77

    flea77 TPF Noob!

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    I like #2 except for the stupid sub in the way, too much to clone out I suppose :) #3 is really nice too. #6 would be nice if it was not so blown out.

    Allan
     
  4. Laser180481

    Laser180481 TPF Noob!

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    Really great tones and saturation - it seems to transport us back in time a bit. Especially evident in number four, you have to do a double take to make sure you're really seeing blue in what is otherwise a black and white image. Number 7 looks like something right out of Band of Brothers. Well done.
     
  5. LaFoto

    LaFoto Just Corinna in real life Staff Member Supporting Member

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    The first is my favourite of the series, I think.
    I really like your chosen POV (point of view), the composition we have here, and the fact that you went to a completely converted, then sepia tinted photo.

    I also like the POV in 2, but the slant is not so much to my liking.

    When Photo 3 began to load, I was wondering if, indeed, I was looking at new photos or not!? :scratch: I think, that one's my next favourite.
     
  6. doingcool

    doingcool TPF Noob!

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  7. Lyncca

    Lyncca TPF Noob!

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    These are really beautiful. I love the composition and processing.
     
  8. LarryD

    LarryD TPF Noob!

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    I like #5 and #7......... The lifebot is OK too, but there is too much dead space with the sky........ It is interesting sky, but the subject should be the boat against the sky, so the boat should be taking up most of the frame.......

    ............. I'm not big with B & W in this day and age, but the subject works well for it here........:thumbup:
     
  9. hoyinsiu

    hoyinsiu TPF Noob!

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    i like #3. it's like an old picture
     

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