RGB to CMYK, then back to RGB... For the web.

Discussion in 'Graphics Programs and Photo Gallery' started by Seijun, Apr 28, 2009.

  1. Seijun

    Seijun TPF Noob!

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    Hi all,
    My job where I work is to edit our company's product photos for the web (ebay). We make figurines, and the color is very important. I am not an expert at photo correction by any means. I get a lot of instruction from my boss, but am wary of his knowledge considering he still worries about whether or not the photos are "resized to 72 dpi".
    When I receive a photo it is in RAW, RGB format. My boss wants me to change it to CMYK before I do any color correction, then change it back to RGB when I am all done. He says CMYK has a great color gamut than RGB, gives me more control over what I am doing, is more accurate, etc, etc. I was under the impression though that CMYK is just for printing use..? Remember, these photos are purely for use on the web. Is it really best to switch the photos to CMYK before editing them?
     
  2. Big Mike

    Big Mike I am Big, I am Mike Staff Member Supporting Member

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    RAW files do not have a color space attached to them. If you use Photoshop to open & convert the RAW image, you will then assign it a color space. I don't know much about CMYK, but if you (he) is concerned about the gamut of the color space, I believe that Adobe RGB or Prophoto RGB are the ways to go.
    Just make sure that you convert back to RGB.

    Personally, since the final output is for the web, I'd just keep everything in RGB...KISS (keep it simple, stupid).

    Understanding ProPhoto RGB
     
  3. Seijun

    Seijun TPF Noob!

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    The RAW files are opened in Photoshop, yes. When I look at their "mode" in PS they are always assigned to RGB.
     
  4. Big Mike

    Big Mike I am Big, I am Mike Staff Member Supporting Member

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    That's because they are assigned that during the conversion or that is just the default setting. A RAW file on it's own, does not have it's own color space. That how I understand it anyway.
     
  5. Digital Matt

    Digital Matt alter ego: Analog Matt

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    Sorry, but he couldn't be more wrong. RGB is much wider than CMYK. You should do all editing in RGB, especially since your final output is RGB. People sometimes refer to CMYK numbers when color correcting, especially if the intended output is to print, but that can be done to an RGB file. You can view the CMYK numbers in photoshop even in an RGB file.
     
  6. Seijun

    Seijun TPF Noob!

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    I was kinda thinking that.. It seemed that when I converted to CMYK, edited, then changed back to RGB, the picture looked slightly worse overall, not better, than if I had just edited in RGB..

    Along similar lines though.. I have been having a serious problem with the pictures in photoshop not transferring to the web accurately. A TON of color information disappears. To get the picture to display correctly online, I have to bump the saturation up by 20. In photoshop the picture will then look horribly oversaturated, but on an internet browser it will look fine (JPEG format). If, however, I change the pic to CMYK, then back to RGB, THEN color correct, then save as JPEG, the picture will look the same in photoshop and in the browser. Can anyone explain what is happening there?
     
  7. Big Mike

    Big Mike I am Big, I am Mike Staff Member Supporting Member

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    It sounds like you were missing the 'conversion' step somewhere.

    When you take and image that is in a color space other than sRGB and display it on the web etc...the software just takes the numerical color values and displays them. But because the numerical values are different for different color spaces...some of the colors can get messed up.

    When you are in Photoshop and you convert from one color space to another, it reassigns those numerical color values to the closest color match...so you might loose some color info when going to a smaller gamut...but it's likely that you won't be able to tell a difference just by looking at it. So if you convert to sRGB before you upload, the image should look exactly the same on your monitor. (I'm not 100% on this but that's how I see it)

    Again, I suggest keeping everything is sRGB to avoid they problems.
     
  8. Seijun

    Seijun TPF Noob!

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    @ Mike: Thanks for the tip, I will open in sRGB and see what happens. They were being opened in "adobe RGB". I know next to nothing about color spaces, so never even paid attention to that option when opening the RAW files.
    EDIT: Yes! switching to sRGB worked! Thank you!



    Regarding CMYK vs RGB....

    Editing an RGB photo, saving, and comparing that to the same photo that was switched to CMYK, then back to RGB, then edited and saved, I see almost no difference (but if I compare a photo edited in RGB to that same photo edited while in CMYK, I do see a noticeable difference, and I dont like it--picture seems to flatten out overall when edited in CMYK).

    RGB>edit>save
    vs
    RGB>CMYK>RGB>edit>save
    = almost no dif

    RGB>edit>save
    vs
    RGB>CMYK>edit>RGB>save
    = noticeable dif

    Does that make sense?
     
    Last edited: Apr 28, 2009
  9. Big Mike

    Big Mike I am Big, I am Mike Staff Member Supporting Member

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    That does make sense to me. When you convert to a color space with a smaller gamut (like CMYK), you are probably throwing out some of the color information. Then when you convert back to a larger color space, that information has to be made up...which is never as good as having it in the first place.

    So it would seem to me, that you should avoid converting down (RGB>CMYK) unless it's your last step and you are sending it to a CMYK printer. Because if you do, you may have to convert it back up (CMYK>RGB) which is where you will have problems.

    Are you starting to see the benefits of keeping it in sRGB right from the start?

    If you really want to use the best possible workflow...then you would want to start with the widest color gamut (probably Prophoto) and keep it there until you are done editing and ready to output the files...then convert it to your desired color space, in this case sRGB.
    The differences might be very slight, if they are even noticeable...so that's why I often suggest keeping it simple with sRGB all the way though. But it's up to you to decide your workflow.
     
  10. bhop

    bhop No longer a newbie, moving up!

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    There are zero reasons to convert to CMYK for web only. CMYK is for print. As you're finding out the hard way, it only creates color problems when you convert it back to RGB. As Big Mike said, start in sRGB and keep it that way throughout.

    also.. as far as resizing to 72dpi.. It doesn't matter as long as your pixels are the size you want. That's something from the old days of web design, not relevant anymore.
     
    Last edited: Apr 28, 2009
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  11. Pat6100

    Pat6100 TPF Noob!

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    New to site...tagging along on the subject's periphery: I suspect a retoucher we hired may have saved down our 16-Bit RGB Masters to 8-Bit CMYK. How can I detect if he changed them back to 16/RGB? Using CS4 and Bridge...didn't know if there might be any telltale clues in the Metadata or other panels, or anything that would show the lesser amount of info floating around in a 16-Bit bucket. Any help is appreciated!
     
  12. jritz

    jritz TPF Noob!

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    Finally a sensible answer about why you would use CMYK! Most photographers only use RGB because of fact that most photo printers (Epson, HP, Canon) take RGB input and convert to CMYK. That is unless you are doing commercial work, then the process changes.
     

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