invisible
Been spending a lot of time on here!
- Joined
- Mar 10, 2007
- Messages
- 5,213
- Reaction score
- 983
- Location
- Canada
- Website
- www.federicobuchbinder.com
- Can others edit my Photos
- Photos NOT OK to edit
Thanks, guys!
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Here's a sprinklerless version...I would get rid of the sprinkler(?) in the middle of the ceiling.
I completely agree; I like symmetries, but I LOVE almost-symmetries. I prefer not to stage my photos, though... and there wasn't anything there to break the symmetry this timeAn alternative might be to have something on the stairs to break up the symmetry - a child, teddy bear, or something unusual. How about a slinky?
It was a pale green. Good eye!was that carpet red or green?
I think I prefer the original too. The building is the Pioneer Courthouse in Portland, Oregon, by the way.i prefer the original made me curious as to were you were and who the picture could be of nows it just an empty stairway into and empty room
I completely agree; I like symmetries, but I LOVE almost-symmetries. I prefer not to stage my photos, though... and there wasn't anything there to break the symmetry this time
It was a pale green. Good eye!
I think I prefer the original too. The building is the Pioneer Courthouse in Portland, Oregon, by the way.
Thanks for your feedback, guys!
This basically sums up my feelings about this image. I've grown to like version 2 more as days passed.I like version 2. I feel that the sprinkler acts only as a speed bump as you eye goes down the runway to the room. However, I agree that the picture, or something else dark is needed in the room.
I wish you could see more of the portrait at the end of the stairs, instead of just the head of it.
Agreed too. However, to make more of the painting visible, the shot would've had to be taken at a higher angle, which in turn would've changed the concept altogether. It was a trade-off, and the painting lostThe rectangular picture works well, but I do not like the amount of portrait that is visible, not in a sense of overall composition, but the composition of just the portrait.