A classic car and a pretty girl.

[tamtam]

I'm new to this forum here! Please critique!

 

[Scatterbrained]

Well, you certainly picked a nice way to introduce yourself.

 

[Derrel]

"Yeeee-OWWW!"

 

[BrickHouse]

Great set!

 

[trojancast]

What car? ;~)

 

[tamtam]

haha, I'm completely a novice at this sort of thing so I didn't know what so say!

 

[tamtam]

What car? ;~)

I can't quite recall but I think it's a 1950s Chrysler

 

[JoeW]

Lovely work. I like the last two shots the best (though the grey bar in the 2nd to last shot is distracting). Here's my critique:

1. You could benefit from use of a reflector a bit more--some of the earlier shots (between the shadow and the bright sun) lose some detail (especially for the model). Shot #2 is the prime example of this.

2. Watch your background. The yellow traffic stops in #2 and #3 are distracting. Some of the background buildings take away from the shot.

3. Unless you really want the tattoos to show, in this case I think they're a distraction from a lovely model with great lines in a killer dress. If you do a second shoot with her, b/c of her tan skin tones, you can get away with using derma blend to cover up those tattoos.

4. Your model has curves. The car has curves. Think of a pose that take advantage of both. Many of these shots are really using the car as just a prop or backdrop (which isn't a problem) for the model rather than having them complimentary.

Nice work--thanks for sharing.

 

[tamtam]

Lovely work. I like the last two shots the best (though the grey bar in the 2nd to last shot is distracting). Here's my critique:

1. You could benefit from use of a reflector a bit more--some of the earlier shots (between the shadow and the bright sun) lose some detail (especially for the model). Shot #2 is the prime example of this.

2. Watch your background. The yellow traffic stops in #2 and #3 are distracting. Some of the background buildings take away from the shot.

3. Unless you really want the tattoos to show, in this case I think they're a distraction from a lovely model with great lines in a killer dress. If you do a second shoot with her, b/c of her tan skin tones, you can get away with using derma blend to cover up those tattoos.

4. Your model has curves. The car has curves. Think of a pose that take advantage of both. Many of these shots are really using the car as just a prop or backdrop (which isn't a problem) for the model rather than having them complimentary.

Nice work--thanks for sharing.

Thanks Joe for your constructive comment! I strongly agree with #4 there.

I will make sure I keep these in minds the next time I shoot

 

[jaomul]

Welcome to the forum. No,actually you are very welcome to the forum