crop duster plane

Rather then digress into an argument about what exactly digital ISO is, how about this gleaned from Nikon - "What is ISO Sensitivity" - "Photography is built on the three pillars of exposure: shutter speed, aperture and sensitivity. Shutter and aperture are controls for adjusting how much light comes into the camera. How much light is needed is determined by the sensitivity of the medium used. That was as true for glass plates as it is for film and now digital sensors. Over the years that sensitivity has been expressed in various ways, most recently as ASA and now ISO." What Is ISO Sensitivity? | Understanding ISO from Nikon One of the better descriptions I've seen to bridge the gap between film and digital, while still understanding the importance of ISO in calculating an exposure.
 
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You say iso has nothing to do with exposure.
Ok. Set your iso to 100, go outside on a sunny day, and take a picture.
Now go inside, turn off lights and close the drapes. and adjust your shutter speed and aperature to anything you like, and take a picture. (No cheating with a flash or tripod)t Is the exposure the same? No? Now adjust iso, and suddenly you can get a picture with the same exposure as the first one.
Lots of smart people confuse exposure with image brightness. An easy mistake to make, but the terminology is important. I'll modify your example:
set ISO to 100, take a picture. Set ISO to 200 - only change the ISO- and take the same picture.
Is the exposure different?
No.
Is the image brightness different?
Yes.
 
Steve, when you refer to aperture as either "too high or too low" that is a very risky way to describe wide aperture settings such as F2.8,or small narrow apertures such as F16.

Because aperture is a fractional value relative to the focal length of the lens, numeric values such as 16 and 22 are very small apertures, and low numbers such as 1.4 and 2 and 2.8 represent what are called wide apertures.

Traditionally many people referred to a wide aperture or a small aperture, but in the modern era with a tremendous influx of people who are self taught there is a tremendous tendency to refer to aperture number value as either "high" or "low",which is a poor way of handling the terminology as it has traditionally been used for well over 150 years. It is if you're asking if you're driving100 miles per hour " Am I driving my car too wide or too narrow?" Referring to aperture as too high or too low is just not the way to ask if your aperture was too wide or to narrow, since it has a lot of potential confusion.

My guess is that both your aperture and your ISO setting were not correct: with a shutter speed of 1/3400 of a second and an ISO value of 100, my instinct is to say that your ISO value was far too low.
 
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We all have different ways of wrapping our heads around the process. For me: viewing ISO as a separate and subsequent process after the exposure is made helped my photographs - most notably with noise management and highlight preservation.
 
My guess is that both your aperture and your ISO setting were not correct: with a shutter speed of 1/3400 of a second and an ISO value of 100, my instinct is to say that your ISO value was far too low.
i

Derrel,

Thank you, and yes, I don't think I needed a shutter speed of 3,400. I don't think the shutter was open long enough to let enough light in.
Without knowing the aperture setting, I suspect it was too high - maybe at 16 or 22. I should have dropped it to 5.6 or 11 maybe.
I think an ISO of 100 was too low - maybe I should have set it from 200 to 400.

Steve Thomas
 
When shooting in JPEG mode, the ISO does form part of the practical "exposure triangle"...when shooting in raw mode with an ISO invariant sensor, an exposure that appears basically black or almost black on the back of the camera can typically be recovered in post processing software.

We have had this discussion here multiple times over the years. For the first 15 or so years of digital photography, an under-exposed or overexposed image that had been shot in JPEG mode gave the photographer very few options for correcting any exposure mistakes that had been made in camera;beginning a few years ago with ISO invariant sensors,things changed markedly.

And here we are today; with some people claiming that ISO has no bearing on exposure given to the sensor in-Camera. I feel that saying that ISO has no bearing on exposure is somewhat disingenuous. For people who shoot in JPG capture Mode, the setting of the ISO in relation to the f-stop and shutter speed used still represents that third side of the exposure triangle, and to claim that ISO has absolutely no bearing on exposure is only describing part of the story.
 
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When referring to aperture, we are referring to the size of the hole that lets light into the lens. Because of this it is best to use the traditional terminology, by saying that my aperture was "too small" Or "too narrow "... such as when having used an f-stop such as f/16 or f/22.... had your picture turned out over exposed you would say, "my aperture was too wide " or "my aperture was too big."

Over the past decade or so there has been a tremendous influx of new writers on blogs, And among these new writers it has become common to describe aperture as the numeric value, in direct opposition to the 150 or so years of talking about and aperture having been "too wide"or "too narrow an aperture" or "too big" or "too small".

The use of the terms "too low"or "too high" is not the way to communicate clearly and efficiently in regard to aperture. We are talking about the size of the hole, and not the numeric value of the f-stop in question.

This is not me being pedantic, but rather explaining a situation that will serve you very well to understand clearly and permanently.
 
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You say iso has nothing to do with exposure.
Ok. Set your iso to 100, go outside on a sunny day, and take a picture.
Now go inside, turn off lights and close the drapes. and adjust your shutter speed and aperature to anything you like, and take a picture. (No cheating with a flash or tripod)t Is the exposure the same? No? Now adjust iso, and suddenly you can get a picture with the same exposure as the first one.

Just because digital iso doesn't do it the same way as it did with film, doesn't mean it suddenly somehow doesn't affect exposure anymore. It still does the same thing. 200 iso film is twice as sensitive to light as 100iso film. A digital camera sensor set to iso 200 iso is twice as sensitive to light as a sensor set to 100 iso.

A jet airliner accelerates by burning gas fuel resulting in expanding gasses pressing directly on the front of the combustion chamber, an electric car accelerates using electricity and magnetism. In both cases, it's still acceleration and accomplishes the same thing, just in different ways.
In case you would like to learn more, there are other discussions about digital ISO available on the internet. Just because digital camera manufacturers equate digital ISO to film ISO doesn't make it so. They did that originally to help sell digital cameras to film users who were used to the ISO (or ASA) rating as an indication of how much your image would be affected by the ISO setting.

When you see your image, you are seeing the result of sensor data combined with the camera firmware which creates a viewable image, either on the LCD or on your computer. When you add ISO, you are informing the firmware to make the image brighter, but that still doesn't change the fact that the ISO value is applied gain. Your sensor does not suddenly become more or less sensitive to light. And if gain is applied, to what is it being applied? Obviously the captured data. Post-capture data is data that has already been captured, meaning the ISO setting had nothing to do with the exposure. Your sensor cannot change its sensitivity (without being physically rebuilt into a different sensor).

Also; just a friendly suggestion; leave the analogy-making to someone else.

All right, if that's the case, then you should be able to take an image taken in a fairly dark area, like , say, a basement room with the curtains closed (or mostly closed if they are blackout curtains. Set your camera to ISO 12800, using F3.5 and 1/30-1/60 second shutter speed, take a picture, it's probably going to be dark, and that's fine, actually if it's not, then take it again with a faster shutter soeed, then change the iso to 100, use the same aperature and shutter speed, take another picture. Now, according to you, simply by adjusting the brightness in your photo editing program, you should be able to adjust the iso 100 picture and make both pictures look identical... In theory sure, but you can't. Oh, you might get it close, depending on lighting, but identical? Nope. Give it a try. Like, actually do it, and see what happens. Lots of people shoot in jpeg only, and since you don't make the distinction, give it a try in jpeg too. Spoiler, the results aren't nearly as good as the imperfect results you got with raw.

Question. Do you shoot everything in your cameras native iso then just adjust brightness in post? Because if not, if you ever adjust iso in your camera, you are a hypocrite telling people something doesn't exist then using it yourself.
 
I tried to shoot a crop duster plane just about going overhead.
It was a bright sunny day, so I think I had the aperture set about right.
Thinking I would try and freeze frame the plane with no blur, I had the speed set to 3400th, but the ISO was set to 100.
My pictures came out virtually black.
Was my speed set too high, or my ISO too low?

Steve Thomas

Was it actually dusting crops at the time?

;);););)
 
All right, if that's the case, then you should be able to take an image taken in a fairly dark area, like , say, a basement room with the curtains closed (or mostly closed if they are blackout curtains. Set your camera to ISO 12800, using F3.5 and 1/30-1/60 second shutter speed, take a picture, it's probably going to be dark, and that's fine, actually if it's not, then take it again with a faster shutter soeed, then change the iso to 100, use the same aperature and shutter speed, take another picture. Now, according to you, simply by adjusting the brightness in your photo editing program, you should be able to adjust the iso 100 picture and make both pictures look identical... In theory sure, but you can't. Oh, you might get it close, depending on lighting, but identical? Nope. Give it a try. Like, actually do it, and see what happens. Lots of people shoot in jpeg only, and since you don't make the distinction, give it a try in jpeg too. Spoiler, the results aren't nearly as good as the imperfect results you got with raw.

Question. Do you shoot everything in your cameras native iso then just adjust brightness in post? Because if not, if you ever adjust iso in your camera, you are a hypocrite telling people something doesn't exist then using it yourself.
What the hell are you looking at? Are you looking at the jpeg image that the camera has produced? If so, can you tell me what mechanisms and firmware have been used to produce that image? Additionally, can you tell me what parameters each has used to generate that image?

Digital is not the same as analog.
 
Was it actually dusting crops at the time?

;);););)

Tim,

Yes, it was directly overhead.
Luckily, it wasn't releasing any "dust" at the moment it was over my head, or that would account for my miserable results.
*grin*

Steve Thomas
 
1/2000 @ f/8 ISO 900 on a bright sunny day was plenty fast enough to freeze the blades of a helicopter. Sorry for not joining in on the argument, i have to go to work. So i'll just answer the OP's question and move on lol

DSC_5071.jpg
 

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