Derrel, thanks for the sky.

2WheelPhoto

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I took note of posts earlier today:

Here's one idea: set the white balance to Tungsten, then put a full CTO (orange) colored filter over the flash. That will cause a white or gray sky to look BLUE as all get-out, and a blue-ish sunset sky will look WILD!!! and the orange filter over the flash will cause the colors to appear "correct" on the areas that are lighted by the flash...this method can give you a "blue sunset sky" in the dead of winter, during the daylight hours. If you bought a Nikon SB-800, you probably got an orange filter in the kit with the fluorescent-to-daylight filter and the plastic flash-stand.

Just a thought. But don't mosquito me on that.



Even though the sun was going down when I finally escaped my last conference call of the day, I had to go try this in the nasty overcast sky. With no regard for composition, no modifiers, no second or proper lighting, or anything else assocaited with a picture I grabbed the D7000, one light and stand, remote IR, and a CTO and headed out to an industrial parking lot with a retention pond.

The only setting I use on auto is WB. And here are a few shots of my ugly mug in auto-WB:

20110921-DSC_6934.jpg


20110921-DSC_6954.jpg


Now I change (for the first time) my white balance to the little bulb, and through a CTO on the light. Of course I go through a few shots in manual getting the f-stop right for the flash and the shutter right for the background. Again I've never used bulb mode nor have I used a CTO ever. Here are a few crude shots:

20110921-DSC_6903.jpg


And here is a shot showing my flash firing and "bulb mode" correcting the orange, (as a matter of fact I wish i had brought another orange or half orange to see the differences)

20110921-DSC_6902.jpg


And I have a ton of practice to do to get the cloudy days looking like blue skies, and I just want to say THANK YOU Derrel
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Hey thanks...I first demo'd this technique for a class taught at my local zoo back in 2008. It was in October, and the skies were really gray and ugly. Quite a few of the students showed up with their Nikon cameras and their SB 800 flashes with the filter kits, so I thought, hey, let's shoot some blue-sky photos with all these autumn leaves, and put in a "fake" blue sky, right in-camera. The students were really pleased with the way we turned ugly gray skies to beautiful blue skies, which looked very nice with the orange and yellowish hardwood leaves that were predominant at that time of the year. Glad you had some fun with it! And thanks for the post!
 
Oh wow, great trick. Thanks for sharing!

+1,

I'll be using this methodology about every cloudy day. In FL we often get summer tropical rains during the right late afternoon hours, about the same time frame we want to shoot at. This time of year not so much the "rain" , but we still get heavy clouding during that time to shoot (per my pics).
 

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