Quote: Originally Posted by
IlSan
First off - fully agree with the pricing.
As long as the price resembles the "budget" category, then that is exactly what the clients are looking for that come to you. They want a relatively cheap photographer who will do a few photos for them in the style that they like.
Think about this - if you charged, I dunno, 2000 for a wedding people would take a lot more time studying your work as they are forking out a lot more money - and we all know, when it gets to money people tend to pay attention.
Yes, putting all this into a contract beforehand would help greatly, and you can then always refer back to the contract in case of disputes.
What I generally do is, I meet the potential client and have a coffee / tea. During this initial meeting I will bring some of my material along (specific to what the customer is looking for) and show them what style I shoot / edit. If they like what they see there, excellent - we go forward. If they do not like it, I either ask them to pass some samples along (only if I really want to work with them - that is a vibe thing, surely...) or refer them to a colleague. In my experience, never leave them hanging...always have a back up plan as this shows the customer that you are customer service oriented.
However, in this particular case - yeah, just gotta grind your teeth, smile and re-edit the way she wants...
I understand what you mean by pricing- and you're right about paying attention to the work. I'm uncomfortable charging 2k until I have a little more experience. I shot a wedding last weekend and dealt with my first rogue family member: An over zealous aunt who felt her Nikon L22 point and shoot meant she was the lead photographer. First time having to assert myself.
Once I shoot a few more weddings I will raise my prices and get out of the "budget category"- until then I will my grit my teeth
Well, of course you need to build up a portfolio, to show to potential clients what you are able to do...but (yes, there is always a but) once you place yourself in the budget category, it is extremly hard to get out of it. Sure, it does happen to a few, but most people I have met, that started there, ended there, pretty much.
And - experience is one thing.
As an example - the first ever fashion shoot I did back in London I had hardly any idea about the genre. I had shot a few lions, elephants and the odd crocodile, and so on - had my fair share of landscape photography, but no clue what to do about studio lighting, posing...but, I dod not offer them any discount. Instead, I teamed up with a colleague, who had a loooot more experience than me, made a deal that he'd get 70%, me 30%, and watched him work.
Today, a studio session would cost a client around USD 4000, and I'm nicely booked

And trust me, I still have a ton to learn.
But the moment you sell short, may it be lack of experience, uncertainty, etc...it get's hard to get back up there, were you can make a living on photography.
Just my own experience here...
Well, people like the aunt, you will encounter them where-ever you go. I generally smile at them, think my part (which is seldomly good) and only really say something if they are getting in my way