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So-so. The problem with mix and match is color temp. For me, and this is just my method, when I use multiple OCF's I use two per unit. I have two 580's and four Sunpack 383's. I will put a 580 & a 383 using one brolly or soft box so the output is intermingled. That is my method to not have color temp issues if I'm not using studio heads.
Yes, I have. Mixed a cheap studio strobe and a Nikon speedlight. Balancing the power was one thing, not really difficult, but unfortunately, the two lights emit different colors of light. They both looked light bright white light, but in looking at the photographs on my computer, I could see that the two sides of the photo had different colors of light. Not good. My take-away is that you should probably try to use the same kind of flashes in all parts of the photograph.Has anyone ever mixed and matched flashes when it comes to shooting off camera?if so how was it?
I kinda figured was just making sure by asking experts.I'm guessing is the same thing with hotshoe flashes (nikon,Yong nuo,)?Yes, I have. Mixed a cheap studio strobe and a Nikon speedlight. Balancing the power was one thing, not really difficult, but unfortunately, the two lights emit different colors of light. They both looked light bright white light, but in looking at the photographs on my computer, I could see that the two sides of the photo had different colors of light. Not good. My take-away is that you should probably try to use the same kind of flashes in all parts of the photograph.Has anyone ever mixed and matched flashes when it comes to shooting off camera?if so how was it?
Probably. I don't have any experience with doing that, but I have read that somewhere.I'm guessing is the same thing with hotshoe flashes (nikon,Yong nuo,)?
This looks like a good thread to read:I guess hss is what i need to figure out if I need