The funny thing is that sensor and software technology is advancing so much that there are now cameras that can be treated basically ISO-less. Their read noise curves are so flat that there is NO ADVANTAGE gained by shooting at higher ISO compared with just shooting at base ISO (usually 100 or 200) and then just boosting the image "exposure" on the computer later. And there is an advantage to doing it on the computer because you can both lighten the image to reveal shadow detail and preserve the highlights, too (whereas shooting at higher iso on the camera would have permanently clipped the highlights, never to be recovered).
So if whoever it was who joked rhetorically about shooting a concert at ISO 100 owned a Nikon D7000 or any of the other "isoless" cameras, he could have done just that and once he developed the image on the computer, no one would have know the difference. With this kind of camera, one is (within a quite wide step range) free to choose aperture based on the dof he wants, shutter speed based on the motion stop/blur he wants, and then worry about the resulting image brightness later when he "develops" the images with his raw converter. The only downside is the jpg produced for your camera lcd will be too dark to see! (manufacturers could easily fix this by treating the Iso as meta data only: i.e. it'd be in the jpg so the preview image on camera would show you something viewable, but once you download to the computer it wouldn't be a permanent part of the raw data).
As this type of sensor becomes more common, there will need to be a new edition of "Understanding Exposure"!
So if whoever it was who joked rhetorically about shooting a concert at ISO 100 owned a Nikon D7000 or any of the other "isoless" cameras, he could have done just that and once he developed the image on the computer, no one would have know the difference. With this kind of camera, one is (within a quite wide step range) free to choose aperture based on the dof he wants, shutter speed based on the motion stop/blur he wants, and then worry about the resulting image brightness later when he "develops" the images with his raw converter. The only downside is the jpg produced for your camera lcd will be too dark to see! (manufacturers could easily fix this by treating the Iso as meta data only: i.e. it'd be in the jpg so the preview image on camera would show you something viewable, but once you download to the computer it wouldn't be a permanent part of the raw data).
As this type of sensor becomes more common, there will need to be a new edition of "Understanding Exposure"!