I like the way the subject is being cropped out. It must be pretty tough for you since you are both the one clicking the shutter and jumping. Remote or timed release?
Anyways, I like it because I can already picture what the rest of the body was doing, without it being in the photograph.
My problem with the photo is the spacial relationship between the subject and the background. It seems that the relationship needs to be either closer or further.
For example, the depth of field can either be more or less, but just not what it is now. I think it will be more interesting if you used a larger aperture to further offset the focus, or use a small aperture to capture all the details. Right now, it's borderline "out of focus" or "shaky hands".
For the color tone, I enjoy it because it does create a certain mood that goes well with the context. However, I do think it also flattens the image, which goes back to my previous point of confusing spacial relationship.
You have to be kidding me with this.
You take that thing and hang it in a conference room and the board members are gonna be sitting there thinking someone was drunk when they took that photograph.
Finding artistic value in something is subjective and has nothing to do with a good photograph/image or a bad photograph/image. If I sit in a room with 10 people, all of us viewing this, I might say......" I find this image inspirational and artistic because I can tell what the rest of the body is doing without it being in the photograph, defeating the purpose of an image...........that's right an IMAGE, which is meant to be SEEN and that's why it's called an image...........8 people are gonna look at me like i'm crazy and then there is always gonna be one nutball who knows nothing, so will agree with anything. And then to suggest that I'm retarded, and delivering this load of CRAP in nearly the same breath, to justify the image. I mean that just takes the cake.
Depth of field being incorrect has nothing to do with this. Depth of field looks good to me.
There were NO "SHAKY HANDS" because it's a self portrait and was probably timed off a tripod.
I may be wrong, but I think that's what it is.
As to the color tone creating a certain mood that goes well with the context??
What context might that be? The head being chopped off, or the viewer wondering what size shoes he wears?
Since you can already picture what the rest of the body was doing, WHY NOT JUST IMAGINE THE REST OF THE PHOTO THE WAY YOU WANT TO SEE IT and leave no critique at all?
Or leave totally imagined critique.
I mean since you can imagine something you can't see, why not imagine something you CAN see?
That settles it. Artistic value apparently means, it doesn't matter what the image looks like. We can all just imagine how we want it to be and then justify our imaginations while giving critique on an image that's not there.
We don't even need cameras anymore. We can just type what we imagine and let the image form in our heads from thin air.