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Opinions, please. Macro Lens for Portrait Use???

camerateur

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Hello Everyone!

So I ordered a Tamron 28-75mm 2.8 lens on Amazon for about 500 dollars.
I was excited to save money on this since I really wanted a portrait zoom lens.
Nowhere on the description did it say anything about being a Macro lens, I made sure. However, when I got it in the mail, it said "MACRO" on the box.
I understand that I can still use this lens, but macro lenses are awfully sharp which isn't the most flattering for everyone. I want to do event and wedding photography, however, macro's would be better for newborn and pet photography, right?

TL;DR
-Does anyone have experience using a macro lens as a portrait zoom lens? Did you have good or bad experience?


Thank you in advance!
 
It's not a macro lens.

What it has is macro on the box because marketing put it there to help drive sales; on most zoom lenses with "macro" in the title the it means that it can do close focusing. This means at best a ratio of 0.5:1 magnification which is half what a real macro lens get to at 1:1. That means you can get a full flower in the frame, but you won't be getting a fly in the frame fully.

It might also have a focus limiter switch for close and further off distances, but won't will have a normal focus wheel control for its normal focusing distances (dedicated macro lenses typically have a more crude control where small turns on the focus wheel make big changes in the focus position for further off subjects, making them a touch more tricky to fine tune focus by hand).

As for sharpness many of the best portrait lenses are very very sharp - you can always soften sharp details easily - you can't do the reverse so easily.
 
^^ Spot on! ^^ As Over mentioned, you can always soften, but sharpening comes at a cost. Even if the lens is that sharp, it won't be a problem. I routinely use my macro lenses for portrait work. What I would be more concerned about is the focal length; 75mm is just starting to get into what is considered "ideal" portrait length. It will be fine for group shots, but maybe not ideal for a bridal portrait.
 
13" min focus and 1:4 suggests it's no where near a macro lens.

I cant imagine having a sharp lens as a negative for portraits...
 
^^ Spot on! ^^ As Over mentioned, you can always soften, but sharpening comes at a cost. Even if the lens is that sharp, it won't be a problem. I routinely use my macro lenses for portrait work. What I would be more concerned about is the focal length; 75mm is just starting to get into what is considered "ideal" portrait length. It will be fine for group shots, but maybe not ideal for a bridal portrait.
Are you thinking FF or Crop Frame?
 
^^ Spot on! ^^ As Over mentioned, you can always soften, but sharpening comes at a cost. Even if the lens is that sharp, it won't be a problem. I routinely use my macro lenses for portrait work. What I would be more concerned about is the focal length; 75mm is just starting to get into what is considered "ideal" portrait length. It will be fine for group shots, but maybe not ideal for a bridal portrait.
Are you thinking FF or Crop Frame?
Doesn't matter; focal length is focal length. The only difference that sensor size makes is with respect to the field of view.
 
yeah, but you wont be standing the same place DX vs FX to frame a similar shot...

I nicely framed headshot on an FX, would be a cropped in face shot on a DX...

but with that said, you still want a longer lens on DX. The compression and angle of view just isn't there.
 
It ought to work just fine, Jenny. You'll have some focal length flexibility, which can be VERY handy when doing portraits. Just do not stand overly close to a portrait subject, or you will tend to see distortion on parts of the body that are closest to the lens. At short distances, the nose will tend to appear a little bit larger than it should. Extended hands will appear a bit bigger than they should. The closer shoulder will loom large, while the farther shoulder will appear smallish...this is a "perspective" problem, and to avoid it, you want to shoot from, at least, 7 feet distant.

You CAN however, use this to advantage, for example, on a seated portrait of a woman let'; say, wearing shorts...you can have her angled off to the side slightly, legs extending a bit toward the camera, and with her legs off toward the side of the frame, you can use this perspective distortion to make the legs look longer!! It is done a LOT in magazine photos of actresses. With just a subtle forward but angled placement of the legs, and a shortish focal length, say 28 to 45mm, and the camera fairly close, the legs of a subject can be made to appear longer.
 
It's not a macro lens.

What it has is macro on the box because marketing put it there to help drive sales; on most zoom lenses with "macro" in the title the it means that it can do close focusing. This means at best a ratio of 0.5:1 magnification which is half what a real macro lens get to at 1:1. That means you can get a full flower in the frame, but you won't be getting a fly in the frame fully.

It might also have a focus limiter switch for close and further off distances, but won't will have a normal focus wheel control for its normal focusing distances (dedicated macro lenses typically have a more crude control where small turns on the focus wheel make big changes in the focus position for further off subjects, making them a touch more tricky to fine tune focus by hand).

As for sharpness many of the best portrait lenses are very very sharp - you can always soften sharp details easily - you can't do the reverse so easily.

I see! This makes a lot of sense, seeing as how it was producing good portraits that I could see, however, reading about the macro aspect online scared me into thinking there is something technically wrong with the lens that I could not see!
Thanks for the info!!
 
^^ Spot on! ^^ As Over mentioned, you can always soften, but sharpening comes at a cost. Even if the lens is that sharp, it won't be a problem. I routinely use my macro lenses for portrait work. What I would be more concerned about is the focal length; 75mm is just starting to get into what is considered "ideal" portrait length. It will be fine for group shots, but maybe not ideal for a bridal portrait.

Thank you!
I was thinking similarly! There was a Tokina 50mm-135mm 2.8 lens that I was looking into as well.
I'm kind of thinking I should have gone that route and purchased a wide zoom later on, however I bought this since it covered a general middle focal range.
(I use the Nikon D7000, so DX, for what it's worth)
 
^^ Spot on! ^^ As Over mentioned, you can always soften, but sharpening comes at a cost. Even if the lens is that sharp, it won't be a problem. I routinely use my macro lenses for portrait work. What I would be more concerned about is the focal length; 75mm is just starting to get into what is considered "ideal" portrait length. It will be fine for group shots, but maybe not ideal for a bridal portrait.

Thank you!
I was thinking similarly! There was a Tokina 50mm-135mm 2.8 lens that I was looking into as well.
I'm kind of thinking I should have gone that route and purchased a wide zoom later on, however I bought this since it covered a general middle focal range.
(I use the Nikon D7000, so DX, for what it's worth)

I have an older, manual focus Nikon 50-135mm f/3.5 zoom that uses 62mm filters and accessories. I LIKE IT!!! Having that 50mm bottom end, instead of a 70mm, or 80mm setting really adds a tremendous amount of usefulness in a lot of shooting situations. For use on an APS-C body, I always like my 50-135, especially when I was in a place where I could not easily "step back", like say at a 4th of July parade, or at an event where I had to STAY in one place, or at one distance. I have a 70-200, but the 50-135 was actually more useful as a walkabout/event lens. I know there's a lot of tradition involved in the 70-200 marketing, but yeah, the 50-135mm range is very useful. With HIGH-resolution digital, like a D7100, you can crop a 135mm frame, but you can never get the wider view of a 50mm lens with a 70mm--unless you can move wayyyyy back. So, I totally get the 50-135mm zoom concept: I actually OWN one, albeit an older, manual focus one.
 
^^ Spot on! ^^ As Over mentioned, you can always soften, but sharpening comes at a cost. Even if the lens is that sharp, it won't be a problem. I routinely use my macro lenses for portrait work. What I would be more concerned about is the focal length; 75mm is just starting to get into what is considered "ideal" portrait length. It will be fine for group shots, but maybe not ideal for a bridal portrait.

Thank you!
I was thinking similarly! There was a Tokina 50mm-135mm 2.8 lens that I was looking into as well.
I'm kind of thinking I should have gone that route and purchased a wide zoom later on, however I bought this since it covered a general middle focal range.
(I use the Nikon D7000, so DX, for what it's worth)

I have an older, manual focus Nikon 50-135mm f/3.5 zoom that uses 62mm filters and accessories. I LIKE IT!!! Having that 50mm bottom end, instead of a 70mm, or 80mm setting really adds a tremendous amount of usefulness in a lot of shooting situations. For use on an APS-C body, I always like my 50-135, especially when I was in a place where I could not easily "step back", like say at a 4th of July parade, or at an event where I had to STAY in one place, or at one distance. I have a 70-200, but the 50-135 was actually more useful as a walkabout/event lens. I know there's a lot of tradition involved in the 70-200 marketing, but yeah, the 50-135mm range is very useful. With HIGH-resolution digital, like a D7100, you can crop a 135mm frame, but you can never get the wider view of a 50mm lens with a 70mm--unless you can move wayyyyy back. So, I totally get the 50-135mm zoom concept: I actually OWN one, albeit an older, manual focus one.

Thanks so much for the information!
I definitely saw the potential when I was looking into the lens, good to know it is up to your standards :-)
 

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