I like blown out photographs. Really like them. With a purpose. What do these shots mean to you? And why do you portray things in this particular fashion? Very important questions........If the viewer can't tell, even with some ponderance of the images and their meaning, then you need to re-think your message or your conveyance of it.
Thanks for your commentaries.
As our companion says woodsac on the series of photographies, it is truth. I normally work much in this aspect, making film strips, in which all has common elements or same a thematic one. In reference to the commentary of Crawdaddio, I have to say, that I have made this series of photographies conscientiously, leaving a longer time of exhibition of the habitual thing, so that the light is very strong, and the personages appear confused. I leave like main element of the image the door, to give a thematic unit. And the personages in movement, and that door, creates a somewhat amazing and even cold and impersonal aspect. My intention with this work has from the beginning been very clear, but I have been my doubts to present this work. Greetings from Spain.