Torus34
No longer a newbie, moving up!
- Joined
- Jan 26, 2006
- Messages
- 2,117
- Reaction score
- 37
- Location
- Tottenville, Staten Island, NYC USA
- Can others edit my Photos
- Photos OK to edit
Wandering about with a camera is one of my favorite pastimes. Add to that the fact that my Lady and I like to travel. That means that we end up in some nice places from time to time. Lots and lots of stuff to photograph.
Over the course of many trips I've stopped taking pictures of the various iconic buildings, objects and vistas of the places we visit. At least not in the 'picture postcard' sense. The reason's simple: I can easily buy a postcard. And I do.
The postcard photographer has usually managed to capture the image of the famous scene or object in just the right lighting on just the right day from just the right vantage point. Chances are very good that I won't have the same combination of circumstances. My photo won't be 'picture postcard perfect'. So I don't bother.
What I look for instead are interesting prints [I think in terms of a final matted and hung print,] of things the usual tourist, intent on seeing the sights, would miss. A pile of mixed colorful pot warp on a dock instead of the classic Motif #1 in Rockport, Mass serves as an example. Quebec City yielded a print of a parked bicycle as opposed to one of the Hotel you-know-which.
Anyone else think along these lines?
"Why then do you try to "enlarge" your mind? Subtilize it." Herman Melville, Moby Dick.
Over the course of many trips I've stopped taking pictures of the various iconic buildings, objects and vistas of the places we visit. At least not in the 'picture postcard' sense. The reason's simple: I can easily buy a postcard. And I do.
The postcard photographer has usually managed to capture the image of the famous scene or object in just the right lighting on just the right day from just the right vantage point. Chances are very good that I won't have the same combination of circumstances. My photo won't be 'picture postcard perfect'. So I don't bother.
What I look for instead are interesting prints [I think in terms of a final matted and hung print,] of things the usual tourist, intent on seeing the sights, would miss. A pile of mixed colorful pot warp on a dock instead of the classic Motif #1 in Rockport, Mass serves as an example. Quebec City yielded a print of a parked bicycle as opposed to one of the Hotel you-know-which.
Anyone else think along these lines?
"Why then do you try to "enlarge" your mind? Subtilize it." Herman Melville, Moby Dick.