The Light Farm. Our future with film ?

I've often thought that I just don't know what I would do if all manufacturers just stopped making film. I don't think that will happen in my lifetime, but I've been wrong about stuff before.

There is part of me that really really REALLY wants to make my own film, but there's the rest of me that still wants it but knows that it won't happen any time soon. But yeah, I totally see this being me as well.
 
Film will be around a long time to come. Just like LP's.
 
Film will be around a long time to come. Just like LP's.
No doubt about it, paper maybe not. Hand made own paper sounds very interesting.
 
Film will be around a long time to come. Just like LP's.
No doubt about it, paper maybe not. Hand made own paper sounds very interesting.

Yeah.....paper might go away. But again, from taking with my sales reps at the store, silver paper is still holding on to a fairly good market.
 
They aren't going to stop making film in our lifetimes. However they might stop making professional quality film. Instead the options largely just being people like lomography and their crap film for hobbyists who want flaws.
And my estimate for when that shift might happen would be whenever they start making really affordable large format digital sensors.

When they do, there exists no real point to film anymore for a working professional, except perhaps people who want to just say they did it on film. But that's not a huge market... Everyone who only shoots film for PRACTICAL reasons only, like affordable technical like view camera movements for instance, would just use digital backs in the exact same view cameras, etc. and stop demanding film.

And at that point you might actually need to make your own if you want certain qualities. Of course, it's also just interesting and fun sounding in the meantime anyway.
 
They aren't going to stop making film in our lifetimes. However they might stop making professional quality film. Instead the options largely just being people like lomography and their crap film for hobbyists who want flaws.
And my estimate for when that shift might happen would be whenever they start making really affordable large format digital sensors.

When they do, there exists no real point to film anymore for a working professional, except perhaps people who want to just say they did it on film. But that's not a huge market... Everyone who only shoots film for PRACTICAL reasons only, like affordable technical like view camera movements for instance, would just use digital backs in the exact same view cameras, etc. and stop demanding film.

And at that point you might actually need to make your own if you want certain qualities. Of course, it's also just interesting and fun sounding in the meantime anyway.

Thats funny because film sales have gone up for the last few year and Ferrania has started up again
 
Film crashed only in so far as the big companies like Kodak were geared up for vast levels of mass production and many were caught with the almost overnight shift from film to digital. This left those companies reeling and we might well see a few of them crash and burn as they try to downsize and fail - others will downsize to the extreme and just scrape through.

Alongside I suspect we'll see a rise in new companies producing film for the smaller scale, but still healthy sized market. We might have to order it online and we might also lose a few film types if large companies hold onto the rights to the formulas but don't produce; but film had a huge effect on photography and I doubt it will go away fully.
 
Thats funny because film sales have gone up for the last few year and Ferrania has started up again

Why are you writing this comment in response to my post? They seem unrelated. I was talking about a hypothetical future when large format digital backs become affordable (and to a lesser extent, when full frame digital costs negligibly more than old SLR film cameras). Considering they still cost as much as a small house right now for LF digital, and that 35mm digital costs $1500+ more than 35mm film to get into, none of the predictions apply yet.
 
Why are you writing this comment in response to my post? They seem unrelated. I was talking about a hypothetical future when large format digital backs become affordable (and to a lesser extent, when full frame digital costs negligibly more than old SLR film cameras). Considering they still cost as much as a small house right now for LF digital, and that 35mm digital costs $1500+ more than 35mm film to get into, none of the predictions apply yet.

The price of digital has nothing to do with why people shoot film I have full frame digital but dont use it anymore because i find film more enjoyable
 
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There is one big problem gentlemen. Our equipment is getting old. Real old. It may carry film photography for another 15-20 years, but without parts and experienced mechanics gone cameras eventually will stop. There is no prospect of newly made film bodies even of only K1000 class. Manual lenses are also a problem. Carl Zeiss is making them, I don't believe they ever went into AF market. Those are superior lenses actually made for digital world, but still some one can order in M42 mount. I have no idea, what is the future of large format lenses and shutters. Anything there starts from $1000. Not so much for amateurs.
 
The price of digital has nothing to do with why people shoot film I have full frame digital but dont use it anymore because if find film more enjoyable
I said "when large format digital becomes affordable," not full frame. Full frame is already affordable, but is not nearly as large as film gets. Large format is 13x more surface area or more, and a digital camera with a sensor that size still costs about as much as a house.

Companies like Ilford or Kodak's film department have already been under strain and dropping product lines. A huge chunk of people shooting medium and large format do so for actual technical advantages over small format digital due to film size characteristics. And losing thatr huge chunk of their 120 film market, for instance, when digital medium format becomes affordable, and LF later (and all the chemicals etc. that go along with those shooters' dark room techniques) will mean they will fold or at least drop even more product lines.




Our equipment is getting old. Real old. It may carry film photography for another 15-20 years, but without parts and experienced mechanics gone cameras eventually will stop.
I own a large format field camera that was manufactured brand new about 1 year ago.
large format lenses and shutters. Anything there starts from $1000
My first large format lens was $50, and worked just fine. The equivalent of a kit lens basically. A nicer one I got later that's the equivalent of high-end-but-not-quite-L-glass was about $250.

However, as suggested in the first half of the post, I think when LF digital is affordable, they will indeed stop making nearly as many new LF bodies and lenses, and the clock will indeed be ticking from that end as well, as you suggest.
 
We are not discussing the future of digital. LF sensors were already built. $200 000 per piece. Only 10 MP.
There is no problem with buying LF equipment, it is there, but what the point of putting in it a sensor the size of a postage stamp.
But I don't think med digi format will be affordable in near future so average Joe can casually buy it. And anyway, why he would want to carry with him such a bulk, when iPhone can fulfill his needs 150% ? MF digi will be the tool of occupational photographers and in that only few. Maybe some artists will utilize MF. But 8x10 ? That will ceased to exist.
Anyway, I am not so happy with this, however I don't worry. There will be enough film for me 'till my end, :D, so I will be not dependent on artificial photography.
 
We are not discussing the future of digital. LF sensors were already built. $200 000 per piece. Only 10 MP.
You can't talk about the future of one without talking about the future of the other.

In the not-so-distant future (cue MST3K theme song) those LF sensors will be completely affordable. Already they are selling ones 10x cheaper than what you just said, and 10x the resolution:
Digital Scanning Backs for Large Format Photography
$22,000, 130+ MP or $10,000 48 MP

These are scanning backs, but within 10 years probably, we will have the data transfer technology to make them instantaneous capture, for just a couple thousand dollars and plenty high enough resolution.

With a crop factor of 1/3, the ISO capabilities of a large format back would allow you to shoot at today's equivalent of ISO 51,200 without objectionable noise, for example, at a resolution of 30ish MP (probably actually higher ISO than that, but I'm talking relative to full frames capping out at 6400 or so). Or the same ISO capabilities as now, but 13x the resolution as full frame, your choice which advantage you want, or a mixture of both (probably by software selection)
 

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