Helen B
TPF Noob!
- Joined
- Sep 16, 2007
- Messages
- 3,296
- Reaction score
- 467
- Location
- Hell's Kitchen, New York
- Can others edit my Photos
- Photos NOT OK to edit
I have rather a lot, though not nearly as many as I used to have before I left most of them on the other side of the Atlantic because I had so little space in my room at the Chelsea Hotel (where I lived when I came here). Many of the ones I left behind were quite rare, and the price has risen far too much to justify replacing them. I still have more books of photos than any other sort. Here is a small selection from the current collection:
Seeing is Believing, Errol Morris;
The Sixties, Avedon;
Avedon at Work in the American West;
Occam's Razor, Bill Jay;
New Topographics;
The Pond, John Gossage;
Hollywood Photo-Rhetoric, Dylan & Feinstein;
What Can We Believe Where?, Robert Adams;
Zone System Manual, Minor White;
Modernizing Nature, Rajan;
A Model of Order, Ian Hamilton Finlay;
Shadow Sites, Kitty Hauser;
The Pleasure of Good Photographs, Badger;
Nature Over Again, Hunt;
Fashion: Theory;
Between the Eyes, David Levi-Strauss;
Herzog on Herzog;
Classic Essays on Photography, Trachtenberg;
Let Us Now Praise Famous Men;
And Their Children After Them;
The Dusseldorf School of Photography, Gronert;
Drosscape, Berger;
Living With His Camera, Gallop;
I Send You This Cadmium Red, Berger & Christie;
Chromophobia;
Thoughts on Landscape, Frank Gohlke;
The Image, Boorstin;
Psychogeography, Coverley;
Landscape Theory, DeLue & Elkins;
Portrait: Theory;
Portraits, Avedon;
The New West, Robert Adams,
Measuring Color, Hunt;
Modern Photographic Processing, Grant Haist;
Color Management, Green;
For Documentary, Vaughan;
Empire of Signs, Roland Barthes;
Documentary, Barnouw;
You Love Life, Nick Waplington;
Mirage, RichardLong;
Murmurs at Every Turn, Moore;
Land, hamish Fulton;
Diana & Nikon, Malcolm.
That's about a quarter of them.
Seeing is Believing, Errol Morris;
The Sixties, Avedon;
Avedon at Work in the American West;
Occam's Razor, Bill Jay;
New Topographics;
The Pond, John Gossage;
Hollywood Photo-Rhetoric, Dylan & Feinstein;
What Can We Believe Where?, Robert Adams;
Zone System Manual, Minor White;
Modernizing Nature, Rajan;
A Model of Order, Ian Hamilton Finlay;
Shadow Sites, Kitty Hauser;
The Pleasure of Good Photographs, Badger;
Nature Over Again, Hunt;
Fashion: Theory;
Between the Eyes, David Levi-Strauss;
Herzog on Herzog;
Classic Essays on Photography, Trachtenberg;
Let Us Now Praise Famous Men;
And Their Children After Them;
The Dusseldorf School of Photography, Gronert;
Drosscape, Berger;
Living With His Camera, Gallop;
I Send You This Cadmium Red, Berger & Christie;
Chromophobia;
Thoughts on Landscape, Frank Gohlke;
The Image, Boorstin;
Psychogeography, Coverley;
Landscape Theory, DeLue & Elkins;
Portrait: Theory;
Portraits, Avedon;
The New West, Robert Adams,
Measuring Color, Hunt;
Modern Photographic Processing, Grant Haist;
Color Management, Green;
For Documentary, Vaughan;
Empire of Signs, Roland Barthes;
Documentary, Barnouw;
You Love Life, Nick Waplington;
Mirage, RichardLong;
Murmurs at Every Turn, Moore;
Land, hamish Fulton;
Diana & Nikon, Malcolm.
That's about a quarter of them.
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