I've just processed two rolls of film, they were shot in studio conditions so I bracketed a lot - like 6 exposures for each composed shot.
When printing a contact sheet in the darkroom, how should I decide what negative is the correct one to expose the whole print for - as I cant tell properly just by looking at them which retains the most detail/best tone.
Suggestions?
When printing a contact sheet in the darkroom, how should I decide what negative is the correct one to expose the whole print for - as I cant tell properly just by looking at them which retains the most detail/best tone.
Suggestions?