Sure thing John. Lately I've been reevaluating a lot of my shooting techniques and approaches, and trying out some different equipment. Trying to keep an open mind about what I like versus what younger people want, and what I can do to make my images look different than everybody else's images. I really always have tried to go with a very natural, "straight photography" approach...like August Sander's old-fashioned sort of straight documentary look-at-the-camera-and-stand-there-and-let-me-record-how-you-look, with basically natural, accurate color. But I've also always liked soft, ethereal,pictorial renderings, and kind of dreamy looks, some blown highlights, and strong backlighting looks too.
Here is a smattering of images I shot Friday, and processed on Saturday. I shot all day with two lenses, and mostly, one camera. I made about 835 exposures. These are just basic Lightroom processed shots. I don;t "do" skin smoothing on these kind of web uploads...that's not my thing. I suck at skin smoothing,and basically seldom do it except for clarity adjustments and the very rare Gaussian blur layers. I want things to look "real". I will clean up blemishes and zits with the clone tool, but I try and use the natural light so that I do not have to do much except adjust my highlights and shadows and make an exposure tweak and be done with each frame in about a minute or so. I'm still using Lightroom 3.6...I probably should upgrade to 5.x or whatever. I don't have the time to slave over 500 or 800 frame sets, I just try and crank them out and move on to the next one.
Here's a few frames that I liked, all totally natural, available bright sunshine on the very last day of spring, at the Oregon coast on the windiest damned day one could ever hope to not have to shoot on.
D3X_9497_SneakPeak-2.jpg photo - Derrel photos at pbase.com
f/8 at 1/250 second, monopod, ISO 250, Exp +1.0, 200mm VR-G, 3.16 meters,Hawaii 5-O Lightroom processing
D3X_9500_web.jpg photo - Derrel photos at pbase.com
f/8 at 1/250, monopod reflection visible in eyeglass lens. ISO 125, Exp + 1.0, 200mm VR-G, 3.35 meters, cold-tone B&W processing look
D3X_9687_web.jpg photo - Derrel photos at pbase.com
Sepia-tone "eye cut" on 3/4 face view, evening, 80-200 AF-S at 112 mm, ISO 400 at 1/200 second to stop windy hair, f/3.5, exposure + 1.33 EV, 2 meters. sepia tone. Her new profile image.
D3X_9723_SneakPeak.jpg photo - Derrel photos at pbase.com
Deliberately shot against the BRIGHTEST,most blinding, intense backlighing sun we could find, 80-200mm AF-S at f/5.6 for corner to corner sharpness, ISO 400 to build shutter speed to 1/640, 10 meters distant at 165mm. cream-tone monochrome
D3X_9495_web copy.jpg photo - Derrel photos at pbase.com
3/4 face view on windy beach, cold-tone B&W, f/8 at 1/250 second 200mm VR-G, ISO 220 at 3.16 meters
D3X_9775_web-2 copy.jpg photo - Derrel photos at pbase.com
late in the day; 80-200 AFS at f/5.6 at 1/1250, ISO 400, + 1/3 EV, 4.47 meters. Strong sidelight from low sun, front fill light from sandy beach. cream-toned monochrome.
DSCF0063_WEB.jpg photo - Derrel photos at pbase.com
end of the day, last shots. Subject facing toward the evening sun over the ocean, 1/640 at f/10, 3.98 meters, 200mm VR-G. cold-tone B&W processing