I like the first shot the most. One thing to notice is how this lens renders near out of focus items, as well as the way it renders out of focus things behind the point of sharpest focus; look at the way it renders the stems that are out of focus. The 100-400 L does not have very pleasing bokeh in its rear defocused areas; things look a bit harsh and sort of double-lined, rather than really smoothly out of focus. In the out of focus background areas, such as on the white petals of the flowers, we can see the "main" shape of the petals and then a fuzzy edge sort of "halo", which creates a slight effect that many bokeh afficionados refer to as double-line or double-lining...it's more jarring than a very smooth,creamy out of focus bokeh effect where the main object and its blur circle smoothly,almost seamlessly diffuse in what is known as "creamy" bokeh.
Not wanting to appear to be picking on Canon or the 100-400 L, but just trying to make an observation about bokeh on photos that very clearly show both the foreground bokeh characteristics (first photo) as well as the background bokeh. I actually like these kinds of photos, where the photographer shoots through OOF foreground flowers to show a bee at work, and also includeS other blooms as part of the background. Nicely seen! I especially like the way the first photo uses an OOF foreground bloom to show the depth,and those delicate spider webs are a lovely addition to the shot too.