I think there can be such a thing as "too much science" when it comes to creative equipment. Assuming the experiments are sound, and the data collected is accurate, it still only describes very specific functions of the camera in very fundamental terms. Of course there's value in this data, but I don't think it should be too large a portion of the decision making process. The camera with the most accurate sensor will not necessarily be the one that allows every photographer to get the best pictures. It will allow some photographers to get the best pictures, either because they interface well with the gear, or because their relationship with the gear isn't important to them. I think for most people however, interfacing well with the gear, and being able to use it intuitively... even preferring subjectively the results of a less accurate capture, is what gets them the best pictures. An audience looking at your photos is not going to say "I wish that sensor could've captured 12 stops instead of 11.3, ruined the shot", they say "Sweet landscape". But only if the photographer can forget about their camera and actually worry about the landscape!