texxter
No longer a newbie, moving up!
- Joined
- Mar 26, 2018
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- 222
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- Location
- Dallas, TX
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Since I had the opportunity to visit Mexico for the first time in 1989 I have been fascinated by the richness of its ancient history, its people and culture, its amazing natural beauty. I have quite a few photography books about Mexico and I wanted to share a few images from those books that are an inspiration to me.
The first three images are from the 1993 book "El ojo de vidrio - Cien años de fotografía del México indio" ("The glass eye - One hundred years of photography of native Mexico") - I purchased this beautiful book in Mexico City in 1994, and I treasure it - it contains images from 1900 to the 1990s and seeing them together gives the reader a broad perspective of how native culture and peoples have been photographed over the decades.
There is an interesting interplay between the "glass eye" of the camera observing with some detachment its subject, the native peoples and their lives - and the way those native peoples look back at us, now the viewer of the photograph - they way those people were perceived and the way they perceived the photographer intruding in their lives with their eye glass. In some photos the theme is timeless and universal, and in others, it is the moment in time and place that matters. I love images with strong narrative content, those images that tell incomplete stories only the viewer can complete with the act of viewing the image.
Antonio Turok "Women of Magdalenas, Chiapas" (1990)
I love this image so much! There is a natural joy emanating from the group of girls, perhaps natural or perhaps a response to the photographer... a mix of shyness and spontaneous joy. The deep focus makes every woman in the group count as an individual and not background. Love how the photograph breaks the group into two subgroups with the woman with the child in the center being the bridge
Anonymous "Las dos huastecas" (1900)
This image from 1900 shows two native women responding to the interaction with the photographer, and each has a very different response... The quality of the image is not great, but there is a great humanity in this moment of mutual awareness that is universal.
Graciela Iturbide, "Mujer ángel, Desierto de Sonora, México" (1980)
The author stated in an interview that this photograph represents the transition between the traditional way of life of the Seri tribe of ex-nomads, and the way capitalism has changed it. The woman is running with a cassette player she got from Americans in exchange for hadcrafts. I love the mystery of this messenger dressed in black with the flowing dress, facing the infinity of the desert, equipped with the tool of music as the her only companion for the journey!
The first three images are from the 1993 book "El ojo de vidrio - Cien años de fotografía del México indio" ("The glass eye - One hundred years of photography of native Mexico") - I purchased this beautiful book in Mexico City in 1994, and I treasure it - it contains images from 1900 to the 1990s and seeing them together gives the reader a broad perspective of how native culture and peoples have been photographed over the decades.
There is an interesting interplay between the "glass eye" of the camera observing with some detachment its subject, the native peoples and their lives - and the way those native peoples look back at us, now the viewer of the photograph - they way those people were perceived and the way they perceived the photographer intruding in their lives with their eye glass. In some photos the theme is timeless and universal, and in others, it is the moment in time and place that matters. I love images with strong narrative content, those images that tell incomplete stories only the viewer can complete with the act of viewing the image.
Antonio Turok "Women of Magdalenas, Chiapas" (1990)
I love this image so much! There is a natural joy emanating from the group of girls, perhaps natural or perhaps a response to the photographer... a mix of shyness and spontaneous joy. The deep focus makes every woman in the group count as an individual and not background. Love how the photograph breaks the group into two subgroups with the woman with the child in the center being the bridge
Anonymous "Las dos huastecas" (1900)
This image from 1900 shows two native women responding to the interaction with the photographer, and each has a very different response... The quality of the image is not great, but there is a great humanity in this moment of mutual awareness that is universal.
Graciela Iturbide, "Mujer ángel, Desierto de Sonora, México" (1980)
The author stated in an interview that this photograph represents the transition between the traditional way of life of the Seri tribe of ex-nomads, and the way capitalism has changed it. The woman is running with a cassette player she got from Americans in exchange for hadcrafts. I love the mystery of this messenger dressed in black with the flowing dress, facing the infinity of the desert, equipped with the tool of music as the her only companion for the journey!
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