Braineack said:
why do they allow you to focus past?
Well, not sure how true it is, but the "old days story" was, back in the early days of ED glass, the only lenses that had ED (Extra-low Dispersion) glass were big, long telephoto lenses, and it was commonly said that the focusing beyond infinity was to allow for thermal effects as those big lenses were heated up out in the sun....and that in order to always be able to focus to Infinity, it was necessary to build on an allowance that took into account possible expansion for heat, as the Infinity focus point shifted with increasing temperature and minute expansion of internal lens elements. Although Nikon's ED glass is not Fluorite glass, which was Canon's invention in response to Nikon's invention of "ED type" glass, Fluorite is apparently pretty susceptible to heat and cold expansion, and Canon superteles focus beyond Infinity as well. From what I have read from Thom Hogan's site: the huge "rare-earth type" glass elements that are "grown" by Canon and Nikon take months and months to formulate in the lab (12 to 18 months), and each batch of supertelephotos must have the optical formula minutely re-calculated and ground **precisely** for each, individual batch of each lens model based upon
the exact refractive index of each batch of rare-earth glass, and at the time of manufacture, a few spares are made for each run of lenses. So...these big lenses do have incredibly precise tolerances/limits as far as the exact refractive index being needed for proper focusing, so it makes sense that a design that has a bit of leeway would make sense.
Not sure about this but here's a thought,1: As to shorter lenses...a lot of newer AF lenses use a
focus by wire type of technology, so that might be a factor on some lens designs. This is different than a direct, mechanical system, like the old helicoid system used in manual focus lenses.
Not sure about this but here's a thought, 2: Also, I suspect there might be a useful, practical side: if the lens is focused beyond infinity, it reduces foreground depth of field, for times when the desire is to throw the focus of a picture allllllll the way toward the background, as far as can be, with the least foreground detail in focus.