AlbertoDeRoma
TPF Noob!
- Joined
- Nov 26, 2009
- Messages
- 71
- Reaction score
- 1
- Location
- San Francisco Bay Area
- Can others edit my Photos
- Photos OK to edit
I've been shooting (and becoming familiar) with my new (to me) Leica Digilux 2 for the last couple of weeks.
When I look at the resulting pictures and compare them to some of the photos I've taken in the past with different cameras, the thing I like the most about the DL2 photos it is the "tonality" (if that's the right term) of the colors (and B&W shades.)
As an amateur guitar player (and, ahem, audiophile) I've always paid attention to acoustic tone and now, it appears, I've come to appreciate visual tonality.
To celebrate, I took a picture of my vintage Fender Stratocaster with emphasis on its two Tone knobs. The goal was to come up with a visual equivalent of the Strat tone I like and try to get - a combination of "bite" and "attack" (sharpness), with a bit of a rough edge (graininess) and an overall early-Van-Halen "brown tone".
The "infinite pool" effect of the guitar body disappearing into total darkness was intentional - to reflect the relatively fast decay of the tone and to visualize how when the Strat comes in the mix it really stands out. The effect and was made easier, and more natural, by the Strat's sunburst pain which gets gradually darker at the edges.
The greenish tint on the pick-guard is natural (original Strat pick-guards have a beautiful greenish tint) as is the brownish/yellowish color of the knobs.
I am pretty happy with the results. Comments and suggestions are always welcome of course.
Alberto
When I look at the resulting pictures and compare them to some of the photos I've taken in the past with different cameras, the thing I like the most about the DL2 photos it is the "tonality" (if that's the right term) of the colors (and B&W shades.)
As an amateur guitar player (and, ahem, audiophile) I've always paid attention to acoustic tone and now, it appears, I've come to appreciate visual tonality.
To celebrate, I took a picture of my vintage Fender Stratocaster with emphasis on its two Tone knobs. The goal was to come up with a visual equivalent of the Strat tone I like and try to get - a combination of "bite" and "attack" (sharpness), with a bit of a rough edge (graininess) and an overall early-Van-Halen "brown tone".
The "infinite pool" effect of the guitar body disappearing into total darkness was intentional - to reflect the relatively fast decay of the tone and to visualize how when the Strat comes in the mix it really stands out. The effect and was made easier, and more natural, by the Strat's sunburst pain which gets gradually darker at the edges.
The greenish tint on the pick-guard is natural (original Strat pick-guards have a beautiful greenish tint) as is the brownish/yellowish color of the knobs.
I am pretty happy with the results. Comments and suggestions are always welcome of course.
Alberto