Hi Chris,
I observe other tints, colours is your screenshot. Possibly, the conflictual
perception comes from the different colour engines used. All my gear is
colour corrected, from shooting to rendering through development so
that all my operation — dedicated to the publishing industry — is totally
integrated in terms of colour accuracy.
I have been adobe free since they started their subscription nonsense, I
found other high end solutions that fit the brief.
Furthermore…
1, you're right about the relativity of perception. That is why it is crucial for
me to base my workflow on mathematics and strict profiling
2, these are shop window takes… who know what mix of lighting was used.
