CS4: Just can't get the hang of this tool

Jon_Are

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I'm talking about making selections with the pen tool

Every tutorial I read swears that the pen tool is the best method for making a selection, much more precise than the various lasso tools.

I've been practicing a little every day, though, and I just can't get the thing to behave like I want it every time. In my hands, it is anything but precise.

My practice has been mostly on selecting an apple. I do fairly OK until I'm half-way around the apple, but coming back, the tool seems to act in a different manner - I can't get the entire arc I created to line up with the outline of the apple no matter which way I lengthen/shorten/bend it.

So, does anyone here have such skills? To the point where they are totally at ease using this selection tool?

Does anyone agree that, as selection tools go, the pen is The Bomb?

I ask because all the claims I've read seem, at this point, far-fetched. I thought I just needed more practice, but now, I'm not so sure.

Thanks,

Jon
 
Are you using a mouse?

I've got one of THESE and it truly is the best tool for PP that I have found. It makes recreating natural shapes so much easier.

Between the Intuos 4 and my keyboard, I don't even use a mouse anymore.
 
yeah it took me ages to figure the pen tool out, once you learn its really handy though.
play around with the settings up the top, therell be 3 icons to the top left of the toolbar thing, for selecting things, make sure the second of the three is selected, it should have the pen in a square or something.
then once youve selcted everything, bring down the drop down menu thing off the pen tool icon and select the "convert point tool" and you use that to make the curves in the line, by clicking and dragging the points out.
once thats all done, right click the picture, go "make selection" and your on your way to victory.
hope i helped.
 
So, is it preferable to just make a quick pass around the object first, then fine-tune it?

Or to spend more time on the first selection, trying to get it as close as possible.

I'm not giving up yet, but I don't want to waste any more time without hearing from some folks that it really is worth learning.

Jon
 
OK, let me be more specific.

I'm trying to select an apple.

I click first at 9 o'clock.

I click at 12 o'clock and a straight line forms between my two points. I drag the handles out and the straight line arcs, easily fitting into the curve of the apple.

Now the trouble begins. When I click my third point, at 3 o'clock, the new line between 2 & 3 is not straight, as before, but arced outside of the apple. It is this portion that is impossible to form nicely against the apple.

Proceeding around the apple, I get some initial paths that are straight - these are easy to work with - and others that are arced outside of the apple- these are impossible.

There seems to be no rhyme nor reason why some paths are straght and within the image while others are curved and outside of the image as I proceed around the apple.

And up top, I have the middle (paths) icon selected.

I hope this makes sense.

Jon
 
Every tutorial I read swears that the pen tool is the best method for making a selection ...

Don't believe everything you read. The pen tool is best for some selections, but what works best always depends on the particular selection.

If you're trying to mask out an apple, you'd probably find the quick select tool easier to use, because an apple has clean edges that the QS tool can find pretty easily. Quick Mask might also be faster and easier than the pen tool, because it's pretty easy to paint around a clean edge.

The pen tool is worth learning. All Photoshop tools are worth learning. But don't fall for that "best" talk. There's no best anything in Photoshop. What works for one image won't work for another.
 
i avoid the arcs, make lots and lots and lots of little straight lines all around the apple.

If that gets you what you want, OK. But my advice to the OP is, if you're going to use the pen tool, learn to use it properly. Its main power lies in its capability to make smooth arcs.
 
I don't use it often, probably because I'm not all that fast with it, and I'm much faster with other selection tools. But it's definitely worth learning. Keep practicing and reading/doing tutorials.
 
Thanks for all the replies.

I'm not against practicing, nor against learning.

It's just that the tool doesn't appear to respond consistently, that's what is frustrating.

Oh well. Back to the, uhhh....drawing board. :D

Jon
 
Photoshop's Pen tool is far from the best pen tool implimentation. It works and is certainly worth learning and using.

I am quite skilled with pen tools. In my current day job our shop-standard drawing application is Corel DRAW. I spend a lot of time with its pen tool. Illustrator's is also decent. Possibly the most refined and powerful pen tools was Macromedia FreeHand's (partial pat on my own back for that one as I played a reasonably significant part in advancing its abilities back when I was on the FreeHand development team). Still, I usually use other tools for selecting and masking when in PS.
 
the best aspect of the pen tool is that it creates a vector mask/selection right off the bat. i like the pen tool a lot, you just have to practice (a ton of practice really), and then it will become second nature. just keep with it. once it clicks, and it will, you will love it.

that said, i rarely use it because most of the time i find it easier to just make selections with polygonal lasso tool (just my personal preference). which you can then make into a path for vector output. but there are definitely times when the pen tool is handy, just not as often for me.

there is never gonna be a tool that is best for everything....unfortunately.
 
I can use the pentool, Although it is not as much as at ease... but it is fairly simple, just get the hang of the handles and you will eventually do okay.
I dont have college or work tomorrow so i will try make a short tutorial on selecting things with the pentool for you ;)
 
Well, I'm getting much better at it. Pretty good, in fact.

Here is something I wish I knew from the get-go: make each of your selections (anchors) at less than 90 degrees. Otherwise, things can get loopy.

Another tip that helped - each time you make an arc, go back and alt/click the anchor point. This eliminates one of the handles (the one you don't need) and makes it much easier to adjust when you go back and fine tune the selection.

I've spent hours practicing this. Ironically, I probably won't even use it much. I just want to learn PS front to back, top to bottom, and this tool was ticking me off. It does make some nice curved selections, though.

Jon
 
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