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You got that right!Bronocolor makes a top notch product but at around $3000.00 a pair they won't be for the average amateur/hobby photographer.
Fair comment, but that's much like saying, "That's a very reasonably price Lamborghini!"Not bad for Broncolor standards. Quite affordable for that brand.
Transportation for location shoots with Speedotron is not nearly as practical however. Don't know that I would necessarily consider them for in studio work alone, but location shoots they would be hard to beat.I don't even think they will be for the average professional. There's no doubt that Broncolour and Profoto are top of the range products, but when I think about how much of my trusty, bullet-proof Speedotron gear I can get for the same money, I really can't see it!
I've used broncolor, they're unbeatably tough. Day in day out abused for 5 days a week, 12 hours a day and they keep going. Alien Bees - stare too hard and the plastic self destructs. Profoto are also very sturdy.Fair comment, but that's much like saying, "That's a very reasonably price Lamborghini!"Not bad for Broncolor standards. Quite affordable for that brand.
Mehhh... I don't find my Brownline stuff to be a problem; it goes most anywhere. I can get four lights, power-supply, tri-level, grids, snoots and reflectors all in a standard lighting case.Transportation for location shoots with Speedotron is not nearly as practical however. Don't know that I would necessarily consider them for in studio work alone, but location shoots they would be hard to beat.
We used the Blackline at school; if you weren't fast enough to grab the new Profoto packs.Mehhh... I don't find my Brownline stuff to be a problem; it goes most anywhere. I can get four lights, power-supply, tri-level, grids, snoots and reflectors all in a standard lighting case.Transportation for location shoots with Speedotron is not nearly as practical however. Don't know that I would necessarily consider them for in studio work alone, but location shoots they would be hard to beat.
Blackline's great for the studio, but the packs are wayyyyyyyyyyy too heavy to haul around. My little 200 w/s Brownline pack is literally smaller than the size of a box of tissue, and can drive two (three if I use a Tri-Level) lights with plenty of output for a standard portrait session.We used the Blackline at school; if you weren't fast enough to grab the new Profoto packs. Speedotron always looked like something designed in the 1960s and never updated.