math in photo? nooooooo

slickhare

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i was looking through the FAQ/Terms sticky and i saw a post about the inverse squares law. is a thorough knowledge of math needed to be a good photog?
 
What's a good photographer??

It helps if you know that light drops off at a rate which is inverse to the square of the distance, but it's not essential to seeing or visualising an image.

Here's a picture of the inverse square relationship: http://hyperphysics.phy-astr.gsu.edu/hbase/vision/isql.html#c1 That's about all you need to know - that light fades more quickly than you might think - not in a steady way, really quickly.

Some maths and chemistry are required for darkroom stuff, but really, what makes a good photographer? Is it their ability to use the cos law, inverse square law and calculate the light intensity drop off ratio of a six-head lighting rig, or is it their ability to think "ooh, bit more light on her hair"? For me, it's suck-it-and-see science - I've got a reasonable grasp of the technicalities, but everything after that is art, experimentation and experience.

Don't be put off. Just force the person you're seeking advice from to explain themselves properly, again and again and again, each with more detail and more examples if necessary.

One day everything clicks and it's fine. Until then it can be a bit frustrating, but persevere - it's worth it!

Rob
 
You probably already know it. It's like when you get to the age of four you can through a ball of a wall and predict where it will return. You could work it out with maths but you don't need to.
 
Here's a good way to visual it.
http://csep10.phys.utk.edu/astr162/lect/light/intensity.html

Knowing the math and understanding things like histograms aren't required. They are just tools. But like with most endeavors, the tools and knowledge of how to use them can be a big assitance in getting what you want.

Just start with what you are comfortable with and expand from there.
 
Oh, come on Rob and Mark! You both know there is no way on Earth that you can hope to become a good photographer unless you have a thorough knowledge of advanced Calculus and Quantum Physics :lol:

A basic knowledge of Chemistry and Maths is a big help in understanding the principles of Photography - but it isn't essential. It just makes your life a bit easier at times.
If you can boil an egg then you can do Photography - and you can always get an accountant to do the adding up if you turn pro ;)
 
And a second accountant to make sure the first accountant isn't ripping you off :mrgreen:.

Don't worry too much about it slickhare, I'm terrible at maths and I'm not a bad photogr... oh, wait a second :er:.
 
most people i know that could even understand those laws at a workable level have zero creativity and you would mistake them for obsessive compulsive freaks if you didnt know them..... lol

just keep taking pictures.....
 
Hertz van Rental said:
Oh, come on Rob and Mark! You both know there is no way on Earth that you can hope to become a good photographer unless you have a thorough knowledge of advanced Calculus and Quantum Physics :lol:
I once used the theory of QED to calculate the probability that a lens I dropped would pass through the earth and end up in a Chinese pawn shop, but when I went to carry out the experiment to verify my deductions, the resultant Feynman diagram described the trajectory of the lens bouncing up and smacking my kneecap.

It now takes crappy photographs. The lens, not my knee.
 
markc said:
I once used the theory of QED to calculate the probability that a lens I dropped would pass through the earth and end up in a Chinese pawn shop, but when I went to carry out the experiment to verify my deductions, the resultant Feynman diagram described the trajectory of the lens bouncing up and smacking my kneecap.

It now takes crappy photographs. The lens, not my knee.
:lmao:


I'm not a math fan and I haven't had any problems with photography. All the math I do in the darkroom is stuff like how much water and concentrate developer do I need if the ratio is 6:1
 
Don't worry about it. Just match the green square with the arrow and press that round button thingy.

Later, give the card to the picture man and get prints an hour later.

Sell the pics and get rich quick.
 
If maths is needed then im screwed :D well i personally dont think it is. It would only really be apparent in the darkroom... which doesnt really mater due to digital. Well anyway, being rubbish at maths hasnt limited my photography so far, and if it does... im sure i'll find a way around it.
 
I don't think there are very many here who've calculated bellows factor. I leave to Hertz to explain. (Can you do it without looking it up?)

Damned cameras are smarter than we are these days.
 
Bellows is to do with close-up work - usually with 5x4/10x8 but you can get it with extension tubes.
Exposure meters and f-stops work on the principle that the image is formed one focal length behind the lens. Approximately true for normal circumstances.
When you focus on an object near to the lens the image is formed much further back behind the lens. The inverse square law means that the image will be much dimmer and so the exposure will be wrong.
An object at 2 focal lengths from the lens will therefore produce an image 1/4 as bright as the indicated exposure.
Bellows factor allows you to compensate for this effect.

Actual exposure time=metered exposure x bellows extension squared/focal length squared

I can say all that in my sleep :lol:
 

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