Why nifty fifty?

Dmitri

No longer a newbie, moving up!
Joined
Jun 20, 2008
Messages
5,882
Reaction score
44
Location
End of the line
Can others edit my Photos
Photos NOT OK to edit
yeah I bought one a while back, and honestly can't remember the last time I used it. Why is it supposed to be better than the kit lens? Because of the 2.8?
 
well I believe the "Nifty fifty" is the 50mm 1.8. its good for portraits from what I read about it. good IQ, and it doesn't cost much at all
 
Because of the 2.8?
Because of the 1.8 ;)

Also, the 50mm is a fairly simple lens and thus it's fairly cheap/easy to make a lens that is relatively good in terms of optical quality.
When someone only has the 'kit' lens, the image quality that the 'nifty fifty' is capable of, is quite a nice improvement for them.
Of course, if you have other 'good quality' lenses, you can see that the nifty fifty is a cheap plastic lens in terms of build quality.

And yes, it gets recommended so often, mainly because of it's price.
 
Right 1.8 :lol: shows the last time I used it.
ok, guess I just need to find the right time to use it. Thanks for the replies.
 
I have other good quality lenses including my 17-50mm f2.8

The f1.8 on my Canon 50mm f/1.8 MK I made it possible for me to get great images in the small mammal house at the zoo without cranking my ISO through the roof. It's also a lot smaller and less conspicuous than the zoom for those situations where you don't want to scream 'I am a photographer and I am taking your candid picture'.
 
Well because the 50 makes you compose the shot with your feet and, getting into strange positions. But really because it make work on compositon and the shot. Something even us old timers need to get back to now and again.
 
Because it lets in more light. My living room is dark at night and I have a hard time getting enough light with f2.8 and ISO 3200. I want to pick up another 50mm f1.8 so maybe I can stay closer to ISO1600 and f1.8. Not always fun to have the flash mounted when you want to snap a couple of quick pics of your son playing.
 
If you make no assumptions whatsover about what you want to photograph the 50mm (FF 35mm Camera) is the most flexible lens for several reasons.

1) Generally, it's hard to take a decent portrait with a wide angle

2) Generally, it's hard to take a decent landscape/citiscape with a telephoto

3) It's faster than virtually all other lenses so greater possibilities there.

4) The wider aperture can give you greater dof effects

Plus, it tends to be smaller, lighter, cheaper and better quality than zoom lenses.

So all in all it's got a lot going for it which was why it was the standard lens with which most SLR's were supplied for decades. (And long before people started talking about a 'kit' lens.)
 
So all in all it's got a lot going for it which was why it was the standard lens with which most SLR's were supplied for decades. (And long before people started talking about a 'kit' lens.)


This was in the days of the 35mm camera. In these days of crop-sensor cameras, I think it would make more sense to have a 'Nifty Thirty-Five' at the same price-point.
 
So all in all it's got a lot going for it which was why it was the standard lens with which most SLR's were supplied for decades. (And long before people started talking about a 'kit' lens.)


This was in the days of the 35mm camera. In these days of crop-sensor cameras, I think it would make more sense to have a 'Nifty Thirty-Five' at the same price-point.

Absolutely.

Back in the day it was 50mm for 35mm SLR but 80mm for Hasselblad, Rolliflex, et al.
 
So all in all it's got a lot going for it which was why it was the standard lens with which most SLR's were supplied for decades. (And long before people started talking about a 'kit' lens.)


This was in the days of the 35mm camera. In these days of crop-sensor cameras, I think it would make more sense to have a 'Nifty Thirty-Five' at the same price-point.

A nifty 35 would be a really cool thing to have, because it would fulfill all of these requirements on a 1.6x crop. The reason they haven't done something like that is because a large part of the reasoning behind the low cost of the 50 is that 50mm is a fairly simple optical design for a number of reasons, so a 50mm lens will always be fairly easy / cheap to build (with some obvious exceptions). This is why even an f/2 35mm lens is $300 whereas an f/1.4 35 is $1000 (as opposed to the f/1.4 50 which is $350ish).
 
So all in all it's got a lot going for it which was why it was the standard lens with which most SLR's were supplied for decades. (And long before people started talking about a 'kit' lens.)


This was in the days of the 35mm camera. In these days of crop-sensor cameras, I think it would make more sense to have a 'Nifty Thirty-Five' at the same price-point.

A nifty 35 would be a really cool thing to have, because it would fulfill all of these requirements on a 1.6x crop. The reason they haven't done something like that is because a large part of the reasoning behind the low cost of the 50 is that 50mm is a fairly simple optical design for a number of reasons, so a 50mm lens will always be fairly easy / cheap to build (with some obvious exceptions). This is why even an f/2 35mm lens is $300 whereas an f/1.4 35 is $1000 (as opposed to the f/1.4 50 which is $350ish).

Would the optics of a 35 be that much different to manufacture than a 50? Cost to the consumer is also probably related to the number sold -- if a 35 caught on, I would think the cost could be kept down.
 
No, but know, it requires a different design then the Tessar optical formula. New optical designs have to be created, and then an inexpensive manufacturing process has to be developed.
 

Most reactions

New Topics

Back
Top