No problem, remove ghosts feature is pretty good, but its not perfect, should be pretty simple to clone it out though.
Can I assume when you were in tonemapping mode you tried selecting a few other frames to remove the car?
I have no idea what tonemapping even is?? What would be a good program to do it with? Any tips on the process??
Thanks for all your suggestions, I truly appreciate the input.
Also, where would you focus with a 50mm? I don't have a wide-angle lens just yet...
You must have tonemapped to produce an HDR image, I do mine from Adobe Bridge, simply select the images in the sequence, then click on tools-photoshop-merge to HDR pro......thats the tonemapping part.
With a 50mm, hmmm, maybe the trees in the foreground and off the top of my head you probably needed f/16 with a 50mm to get the foreground so sharp as well, so good job.
Tips on the process: First and foremost get the image looking realistic, check for haloing on high contrast edges, tonemapping is a hard beast to master so I spend quite sometime getting it right.
Radius: 500 Maxed
Strength: 100-140ish
Detail: Maxed
Check remove ghosts box
Adjust exposure slider so midtones look good.
Adjust gamma slider to
almost recover highlights
Pull back your detail slider until the image looks fairly normal
Save this preset (so when you screw it up beyond all recognition you can start over), you will be experimenting.
Pull your strength back to just before any halos start showing up, fine tune from there, check it at 100% (its not 100% in reality, just 100% for the preview render), look for artifacts on edges adjust etc and funky colours where things may have been moving.
Dont worry if its not contrasty, vibrant enough, youre better to fix this in CS5 itself.
Save preset.
Look away for a few minutes, do something else, check back in, how does it look? anything odd? anything that needs further adjustment?
Yes....fix it
Save preset (notice the save preset thing, I quite often run through my saved presets to give me a headstart, I name them as a shot description so that will jog my memory into selecting another similarily lit scene to work with).
Fixed....export
Finish in CS5, done.
Way overdone. I need to put a link in my Sig, so I can show what a real HDR should look like. So in the many posts like these I can simply say... see below. I dont think you need that many exposures for that shot, try with just 3?
Interested in seeing some!!
http://www.thephotoforum.com/forum/...to-gallery/227543-finally-had-night-away.html
Every single one is an HDR, the daytime beach shots 3 exposures -2,0,+2
The others are all 6, well 5 in reality -4,-2,0,0,+2,+4
I usually process the best exposed frame as well to see the difference and sometimes blend parts of it in and or adjust the opactity of the top layer, but generally they are not even close to the HDR version.