MarzMan
TPF Noob!
- Joined
- Nov 25, 2019
- Messages
- 2
- Reaction score
- 0
- Location
- Miami, Flori-duh
- Can others edit my Photos
- Photos NOT OK to edit
First Post. I chose to start here for no particular reason other than this is a beginning, though it is also not one.
As a late adolescent and a young man in the mid to late 70's I became obsessed with music and photography. I built a darkroom. or various reasons rather than going off to college with my friends I spent the next couple of years reading books (including as much as I could find of Vonnegut, Hunter Thompson and Edward Abbey as well as Ansel Adams and all the photography lit I could find) shooting and printing while working in a grocery store. My favorite photographers were Ralph Gibson, W. Eugene Smith, Brett Weston, Walker Evans and of course Adams.
Equipmentwise after a Pentax period I settled on Nikon F's and Mamiya medium format. I had a M645 and my step dad, who was a professional photographer (TV News with a side business in stills), had an RB67 he let me borrow on occasion. I shot some semi pro type gigs, bands, model heads, a few weddings but for reasons related to the same ones that led me not to pursue higher education I didn't use the opportunity to go into the business.
Got married at 20, a father at 21, worked and paid bills for almost 40 years and now I find myself looking at retirement before too long and I want to get back into photography. A few years ago I bought a Nikon D3200 but I really don't like it very much. Too much monkey business, pressing buttons while turning dials for stuff I did in my head. I took it on a trip to Bordeaux but sacked it for my iPhone which I find very intuitive and fast.
What I want is a digital correlate for my Nikons - one didn't even have a metered prism, I had a hand me down Pentax spot meter and a Luna Pro and my eyes.
I did spend lot of time printing trying to be Smith with my 000 brush and potassium ferricyanide solution. I can see the digital version being very, very interesting.
For me it was always more about the process, the zone one gets into, the way of seeing. I'm no Luddite but I prefer the least amount of barriers between seeing and image as possible. I also hate the idea of spending 2-4000 bucks on something that will be obsolete in a year or less....
Looking for thoughts, advice, observations and conversation, thanks in advance.
As a late adolescent and a young man in the mid to late 70's I became obsessed with music and photography. I built a darkroom. or various reasons rather than going off to college with my friends I spent the next couple of years reading books (including as much as I could find of Vonnegut, Hunter Thompson and Edward Abbey as well as Ansel Adams and all the photography lit I could find) shooting and printing while working in a grocery store. My favorite photographers were Ralph Gibson, W. Eugene Smith, Brett Weston, Walker Evans and of course Adams.
Equipmentwise after a Pentax period I settled on Nikon F's and Mamiya medium format. I had a M645 and my step dad, who was a professional photographer (TV News with a side business in stills), had an RB67 he let me borrow on occasion. I shot some semi pro type gigs, bands, model heads, a few weddings but for reasons related to the same ones that led me not to pursue higher education I didn't use the opportunity to go into the business.
Got married at 20, a father at 21, worked and paid bills for almost 40 years and now I find myself looking at retirement before too long and I want to get back into photography. A few years ago I bought a Nikon D3200 but I really don't like it very much. Too much monkey business, pressing buttons while turning dials for stuff I did in my head. I took it on a trip to Bordeaux but sacked it for my iPhone which I find very intuitive and fast.
What I want is a digital correlate for my Nikons - one didn't even have a metered prism, I had a hand me down Pentax spot meter and a Luna Pro and my eyes.
I did spend lot of time printing trying to be Smith with my 000 brush and potassium ferricyanide solution. I can see the digital version being very, very interesting.
For me it was always more about the process, the zone one gets into, the way of seeing. I'm no Luddite but I prefer the least amount of barriers between seeing and image as possible. I also hate the idea of spending 2-4000 bucks on something that will be obsolete in a year or less....
Looking for thoughts, advice, observations and conversation, thanks in advance.