Take a good,hard,close look at the 17-55 f/2.8 IS-USM lens on the dPreview first-look pages.
Canon EOS 7D Hands-on Preview: 14. Samples: Digital Photography Review
Pay special note to the cityscape photos done with the 17-55, like image 2480,2485,2489,and 2490; if you plan on migrating this lens forward to the new 7D, I think you might be disappointed in the performance of this lens. HOnestly, it does not have very good looking image quality on the 7D's high-MP sensor,especially at the wider end of its reach. The images look almost like they have some type of video-y look, as if they were shot through really thick plexiglass like the kind used in huge aquariums. At full-size, the 17-55 f/2.8 IS-USM's wider angle images at f/8 are just not that good-looking.
I'm sure the lens is good on lower-MP count sensors, but the 7D's extreme pixel density would equate to a 46-MP Full-Frame camera, and so the demands on lenses,especially wide zooms, are extremely high on something like an 18MP 1.6x APS-C sensor.
We will soon be moving into an era when even consumer-priced, high-MP crop bodies are going to reveal lens weaknesses we currently can not see on 8.2 and 10.3 MP Canon bodies that a lot of us are shooting. I think the 7D's image quality looks amazing using the high-end L-glass telephotos that Robgalbraith shot it with, and also with the 70-200 f/4-L dPreview used. Examine carefully the resolution and acutance and freedom from chromatic aberration on the dPreview full-size samples shot with the 70-200f/4 L, and compare those photos with the ones made with the 17-55 f/2.8 IS-USM. There is a very notable difference in the level of optical quality between the actual L-glass lens and the 17-55 f/2.8 IS-USM.
I want to make it perfectly clear that I am *not* trying to bash the 17-55, but with the next generation camera, the 7D, I can see some weaknesses in the way the 17-55 renders images; that sensor seems to be capable of out-resolving the 17-55 lens. The images from the 17-55 look smooth, but low in acutance. The wide zoom's images have very little "bite", but the 70-200 and the 85/1.2 L and the 200 f/2-L have terrific "bite". Considering the somewhat steep cost of the 17-55 IS-USM and the way MP counts are going up and up, I wonder if maybe the 17-40 f/4 L might not be the better choice for people who are going to be buying the 7D, or other future-generation Canon bodies.
Again, not trying to knock the 17-55 f/2.8, but I am wondering how the new Tamron 17-50 f/2.8 with VC (Vibration Control) will tend to test out in the real world on high-MP count Canon cameras...will the VC version be as good as the 17-50 f/2.8 non-VC? Better?