I once had a 40-year commercial pro tell me that if I anted REALLY sharp images, my shutter speeds needed to be in the 1/500 second range. I thought that was unrealistic; I was used to shooting 35mm film at speeds in the 1/60 to 1/250 range most of the time. After hearing his words bounce around in my head for over four years (seriously), when I was in college, I decided to test that theory.
WOW!!! I spend a week shooting a Nikon FM at 1/500 second, and adjusting my f/stop to that speed...it was an EYE-OPENING experience. My images changed dramatically. Of course, I ended up shooting a lot of shallow depth of field stuff, often at f/3.5 or f/4. But ohhhhh my....I had not realized what a difference there would be shooting "real life" scenes at 1/500 second, as opposed to 1/125, a pretty typical speed.
If you shoot 24MP FX at 1/320 second on "real life" scenes hand-held, you know, with people, and things moving around the frame, and not static landscapes or buildings, if you look very closely at the images, you'll see that with longer focal lengths, 1/320 shows slight blurring of people, their hair, leaves, kids in motion, and so on. It is often pretty subtle, but at times, on fast-moving people or kids or pets, you WILL SEE fairly obvious smearing of features...a very slight "movement". If the images are reduced, and downsized to very small sizes, you'll not see this all that much.
We sometimes forget: HIGH-RESOLUTION cameras have been around for a looooooong time. Here's the focal plane shutter speed tensioning guide from my 1938 Speed graphic:
