I assume the lens is for the Nikon, since the rest of the cameras are film cameras.
On an APS-C crop-frame DSLR, the 35mm prime fits the need for most "on the spot, on the scene photography photojournalism" uses. You said "nature" but then qualified that while it could be macro, that need wasn't high on the list (although you'll find a WORLD of difference between what a "true" 1:1 scale macro lens can provide vs. a phone in close-up mode.)
Since you specifically said you're not into portraits, I'd nudge you more in the direction of the 35mm and less in the direction of the 50mm. A 35mm provides a more "normal" angle of view for street photography. The longer focal length of the 50 is great for portraits... but you said you aren't into those.
You also mentioned the ?-300mm zoom. A zoom such as this is great for shooting wildlife, birding, and other distance photos where you don't want to scare away the wildlife and you don't want the wildlife to chase you down and have you for lunch (in which case I'd suggest that 300mm is not nearly long enough.) It's also nice for shots where you're not allowed to approach the action. And while this comment isn't intended to inflame anyone, a lens should never be purchased because the photographer is too lazy to move to the right spot to take the shot. But you already have the 55-200mm. You'll find that the difference between 200mm and 300mm isn't as much as you might think. It's a 50% increase... not a 100% increase (or more). Sure there's a difference... but it's not a dramatic difference.
I suspect you'll be happiest with the 35mm prime.
Whenever I buy any new lens, I leave everything else at home and go shooting with it. Force yourself to adapt and learn to use it until you're comfortable with it.