JPEG vs RAW

It has everything to do with what you like. Some people like CD quality sound while others are happy with MP3s. Now, if I were going to market my photos then I would most likely go with RAW. As it stands, I am happy with my Jpegs.
What I'm saying is that the difference is real regardless of what you like. Is there no difference between CD quality sound and MP3s?
 
It has everything to do with what you like. Some people like CD quality sound while others are happy with MP3s. Now, if I were going to market my photos then I would most likely go with RAW. As it stands, I am happy with my Jpegs.
What I'm saying is that the difference is real regardless of what you like. Is there no difference between CD quality sound and MP3s?

That's my point. There's a difference, but some people are happy with less. I prefer CD quality music and am happy with Jpeg.
 
It has everything to do with what you like. Some people like CD quality sound while others are happy with MP3s. Now, if I were going to market my photos then I would most likely go with RAW. As it stands, I am happy with my Jpegs.
What I'm saying is that the difference is real regardless of what you like. Is there no difference between CD quality sound and MP3s?

That's my point. There's a difference, but some people are happy with less. I prefer CD quality music and am happy with Jpeg.

I didn't originally read that as your point. I think these are two different things:
"It just depends on what you like. Jpeg works fine for me."
and: "There's a difference, but some people are happy with less."
I think this comment is fine to say -- you acknowledge the difference and you're happy. Your first comment doesn't acknowledge that the difference is real. I think we need to do that. Then it's fine to express a personal preference.
 
It has everything to do with what you like. Some people like CD quality sound while others are happy with MP3s. Now, if I were going to market my photos then I would most likely go with RAW. As it stands, I am happy with my Jpegs.
What I'm saying is that the difference is real regardless of what you like. Is there no difference between CD quality sound and MP3s?

That's my point. There's a difference, but some people are happy with less. I prefer CD quality music and am happy with Jpeg.

I didn't originally read that as your point. I think these are two different things:
"It just depends on what you like. Jpeg works fine for me."
and: "There's a difference, but some people are happy with less."
I think this comment is fine to say -- you acknowledge the difference and you're happy. Your first comment doesn't acknowledge that the difference is real. I think we need to do that. Then it's fine to express a personal preference.

I believe I did acknowledge there is a difference because I said, "It just depends on what you like."
 
It has everything to do with what you like. Some people like CD quality sound while others are happy with MP3s. Now, if I were going to market my photos then I would most likely go with RAW. As it stands, I am happy with my Jpegs.
What I'm saying is that the difference is real regardless of what you like. Is there no difference between CD quality sound and MP3s?

That's my point. There's a difference, but some people are happy with less. I prefer CD quality music and am happy with Jpeg.

I didn't originally read that as your point. I think these are two different things:
"It just depends on what you like. Jpeg works fine for me."
and: "There's a difference, but some people are happy with less."
I think this comment is fine to say -- you acknowledge the difference and you're happy. Your first comment doesn't acknowledge that the difference is real. I think we need to do that. Then it's fine to express a personal preference.

I believe I did acknowledge there is a difference because I said, "It just depends on what you like."
I read that as acknowledging the choice between JPEG and raw and dismissing it as only dependent on what you like. I think we may be talking past each other a little here. You responded to my post in which I noted that editing a JPEG degrades the image. So given that you responded to that comment the difference that I'm concerned about is not the choice between JPEG and raw but the difference between an unedited JPEG versus a JPEG damaged by editing. I want it to be clear that editing a JPEG uniquely damages the image.
 
It has everything to do with what you like. Some people like CD quality sound while others are happy with MP3s. Now, if I were going to market my photos then I would most likely go with RAW. As it stands, I am happy with my Jpegs.
What I'm saying is that the difference is real regardless of what you like. Is there no difference between CD quality sound and MP3s?

That's my point. There's a difference, but some people are happy with less. I prefer CD quality music and am happy with Jpeg.

I didn't originally read that as your point. I think these are two different things:
"It just depends on what you like. Jpeg works fine for me."
and: "There's a difference, but some people are happy with less."
I think this comment is fine to say -- you acknowledge the difference and you're happy. Your first comment doesn't acknowledge that the difference is real. I think we need to do that. Then it's fine to express a personal preference.

I believe I did acknowledge there is a difference because I said, "It just depends on what you like."
I read that as acknowledging the choice between JPEG and raw and dismissing it as only dependent on what you like. I think we may be talking past each other a little here. You responded to my post in which I noted that editing a JPEG degrades the image. So given that you responded to that comment the difference that I'm concerned about is not the choice between JPEG and raw but the difference between an unedited JPEG versus a JPEG damaged by editing. I want it to be clear that editing a JPEG uniquely damages the image.


I agree that editing a Jpeg damages the image, but would bet that a large number of forum members could care less. Me, being one of them. I don't care to get technical about the differences between the two as long as I can produce a good photo.
 
It has everything to do with what you like. Some people like CD quality sound while others are happy with MP3s. Now, if I were going to market my photos then I would most likely go with RAW. As it stands, I am happy with my Jpegs.
What I'm saying is that the difference is real regardless of what you like. Is there no difference between CD quality sound and MP3s?

That's my point. There's a difference, but some people are happy with less. I prefer CD quality music and am happy with Jpeg.

I didn't originally read that as your point. I think these are two different things:
"It just depends on what you like. Jpeg works fine for me."
and: "There's a difference, but some people are happy with less."
I think this comment is fine to say -- you acknowledge the difference and you're happy. Your first comment doesn't acknowledge that the difference is real. I think we need to do that. Then it's fine to express a personal preference.

I believe I did acknowledge there is a difference because I said, "It just depends on what you like."
I read that as acknowledging the choice between JPEG and raw and dismissing it as only dependent on what you like. I think we may be talking past each other a little here. You responded to my post in which I noted that editing a JPEG degrades the image. So given that you responded to that comment the difference that I'm concerned about is not the choice between JPEG and raw but the difference between an unedited JPEG versus a JPEG damaged by editing. I want it to be clear that editing a JPEG uniquely damages the image.


I agree that editing a Jpeg damages the image, but would bet that a large number of forum members could care less. Me, being one of them. I don't care to get technical about the differences between the two as long as I can produce a good photo.

And that I am completely happy with. You don't need to bet -- that is certainly true.
 
This is an interesting topic; thanks to all the participants cut teaching me something new. This will change how I approach my pictures. I save both raw and jpeg. If I like the jpeg as is, cool, but if I want to sharpen or otherwise modify the image, use the raw. Cool. Thanks!


Sent from my iPhone using Tapatalk
 
I have my camera set so when I shoot it saves both raw and jpeg
My early p&s or bridge cameras saved jpeg only
What I am finding now that my skill level and experience has increased ( photoshop and camera use) I am want to go back and edit/re-edit some of my early images
The j peg files are limited in what I can do with them .
Someone said jpeg was brought in for archiving of images
Yes this is probably true and was back in the days when mem storage was limited in the days when we had 2 digit year code yep pre y2k
I move save edited work as Tiff files ok it eats more storage mem but I can go back in “n” amount of time and re edit if I want to
And as for the jpeg is universally accepted most pc/Mac can read Tiff
Ok your phone and tablet may not, but this is where planning your shot/photography session comes in
And you still have the option of converting Tiff to jpeg
Ok I have waffled on
Like all advice: use the bits that will help YOU and feel free to disregard the rest
 
I have my camera set so when I shoot it saves both raw and jpeg
My early p&s or bridge cameras saved jpeg only
What I am finding now that my skill level and experience has increased ( photoshop and camera use) I am want to go back and edit/re-edit some of my early images
The j peg files are limited in what I can do with them .
Someone said jpeg was brought in for archiving of images
Yes this is probably true and was back in the days when mem storage was limited in the days when we had 2 digit year code yep pre y2k
I move save edited work as Tiff files ok it eats more storage mem but I can go back in “n” amount of time and re edit if I want to
And as for the jpeg is universally accepted most pc/Mac can read Tiff
Ok your phone and tablet may not, but this is where planning your shot/photography session comes in
And you still have the option of converting Tiff to jpeg
Ok I have waffled on
Like all advice: use the bits that will help YOU and feel free to disregard the rest

So I think there's enough interest that we should take a closer look and understand what's going on. Let's work through an example.

First how JPEG functions: JPEG can achieve extreme compression rates of beyond 90%. Digital data compression works by removing redundancy. Look at language as an example and consider what I'm writing right now. I'm typing a lot of spaces. I can't replace the spaces with some other place holder and come out ahead but look just in this paragraph at how many times the character pair [space a] occurs. I count seven times. So that's 14 characters that could be replaced with 7 characters. Multiple instances of [space a] is redundant.

JPEG does it's job by creating redundancy. The JPEG algorithm places an 8x8 pixel grid over the image. That's 64 pixels in a grid cell. In a photo the data is dense (not much redundancy) and odds are those 64 pixels are all unique. JPEG goes to work altering pixels so that a grid cell will contain redundant pixels. A grid cell can be transformed from 64 unique pixels to only 24 unique pixels. NOTE: This is not a bad thing. We need JPEG and it works great.

Once JPEG does it's job it's not reversible. The pixels that are changed can't be changed back. The compression grid in a JPEG is invisible to us when we view a JPEG because it's so small and because the algorithm did a great job blending it into the image.

However if we make any substantial changes to the tone/color of the image what basically happens is those changes interact with the compression grid and begin to make the grid visible. We undermine the job the algorithm did blending the grid into the image -- nothing can be done to avoid this.

Over time this is a diminishing problem for multiple reasons. The damage done editing a JPEG was much more visible when the original was from an 8 or 10 megapixel camera. Today I have 26 and 45 megapixel cameras. If I edit JPEGs from those cameras the same damage occurs but I can't see it because it's so small. We've swamped the problem under increased resolution. Another reason the problem has diminished is our viewing habits. We continue to look at smaller and smaller images and again the damage done editing JPEGs is increasingly invisible. In that sense it's completely fair to say, who cares I can't see it.

The example: I selected an older photo from a 12 megapixel camera so we can see what's happening. First here's the three photos so you can see the need for the editing in the first place. NOTE: In the camera's defense I made no effort to get a good JPEG from the camera. I shoot only for raw files.

all-three.jpg


So the SOOC JPEG is flat, too light and cyan/green. That's a substantial alteration of tone/color to produce the third image -- the edited JPEG.

Next here's a 100% comparison of a section of the sky.

side-by-side.jpg


The overall blotchy effect you see in the edited JPEG is due to the compression, the editing that interacts with the compression grid and also to some degree the fact that the camera sharpened the image. In my processed raw file I sharpened selectively.

In an edited JPEG from a 12 megapixel camera the damage created by editing looks a lot like noise added to the photo.

One more thing to see: Here's a 200% view of the sky and I circled a spot where you can actually see corners of the compression grid cells. The editing done to the JPEG is making the compression grid visible and at normal viewing sizes that starts to look like blotchy noise in the photo.

Bottomline: The JPEG contained sufficient data for me to successfully edit and improve the image. With modern high-res cameras we're not going to see or barely see the damage that's caused by that editing so big deal. However you must be certain that you will never want to print the image or ever display it large enough to where the JPEG damage will become a visible big deal. The JPEG damage is not reversible.

Other concerns still apply. If the SOOC JPEG has clipped highlights for example you're screwed. If the SOOC JPEG lacks data in the shadows that you need you're screwed. And etc.

200-percent.jpg
 
Raw is the novel, jpg is the movie.
 
In application terms, RAW files contain richer data and therefore provide more latitude to the photographer for making adjustments in post processing. They are usually intended to be the working material for the photographer to post-process into a final image using software. They are a bit like a film negative (but in many ways better): a waypoint in the process which is subject to interpretation to produce a final product.

A JPEG/JPG file is usually intended to be a final rendering of an image, a final product ready for presentation. It's a bit like a print or a transparency. Once it's done, there's not much you can do to it.

The way I view it is, borrowing from the research/analytics field, the raw image is the data set. The jpeg is the paper presenting the results of the analysis (a summarization of the data) and the analyst's interpretation of those results.

On those occasions when I produce an image which I'm quite pleased with, I keep the raw file in my archives, so that as my post processing skills develop and/or my tastes change and develop, I can possibly reinterpret my work...because I've kept all the original data. The photographer Minor White was once reprinting a bunch of his negatives for an exhibition. A fellow photographer asked him why he was reworking them when he had printed them all previously. He replied "Yes, but now I see them differently."
 
Apparently we all have it wrong, according to my G kids
JPEG is what you send over your phone/I pad/ect to your friends because of lockdown
Um, please don’t let them do the rewrite of the dictionary
 

Most reactions

Back
Top