Saw some recently and wasn't wildly impressed. It did, however, remind me of long-gone Fuji Superia(100?)120 that yielded Pokemon-like color that suited some situations. Never a devoted Gold fan. Frankly, as Scotty said above, the pro Kodak materials are just plain better, as are Fuji 120 films that survive or nestle in my freezer. Always thought the Gold 200 120 release just proved that Kodak saw reality in the mirage of a widespread film revival.