Appreciate the input, tinderbox. I hate to sound curmudgeounly, but it almost seems the manufacturers with several dozen models in their line rather intentionally make the choice more difficult. So many features but no one camera with everything you would prefer in one piece of equipment. Then when you find this model that says it has, say, an EVF, it turns out the EVF is basically useless for framing a shot. And it seems that's seldom covered in sufficient detail by the reviewers. If something doesn't fall off in their hands, they don't mention it.
Price appears to gain you features in many cases. Some useful, some not so much. I've been reading the owners manuals for the few cameras I've narrowed the search to but the manuals give three sentences telling me how to turn on a feature and fifteen sentences telling me it won't work that way in 80% of the other settings I could select. I tend to look at menus as logic systems where one thing is based upon another. Not that way in cameras as far as I can tell. Too many buttons do duplicate functions until you want them to to the function you need then it's another button or menu that has to be involved. I'm accustomed to identical integrated circuits used in equipment which will cover several models and the price determines which features of the ic will be turned on. I don't see how that could be the case with the cameras I've looked at. Shopping for cameras is worse than going down the cereal aisles in the grocery store.
I would agree with the histogram comments. It's been a while since I have been involved in cameras but I remember when I was reading tutorials on histograms they were a bit mysterious. They read sort of like I hear friends talk about racing forms; if it's muddy, it's this, if it's rainy, it's that, if it's sunny, it's something different and if it's rainy and the horse had too many oats this morning or your subject has on light colored clothing but no hat, it's something entirely different than the rest. Again, there's a logic to them, just not one that suddenly pops out and says, "Look, dummy ... "
In the end, I would typically set my camera to bracket the exposure and hope I had some sort of clue about what the camera was telling me.