Thanks alot guys... just did these the other day because a friend wanted a photo done of this specific view (which is from an area called Jenny cliff in Plymouth)..... trouble is, this view is actually quite mundane.... there was nothing special going on at all.... so rule 1 when all else fails - Get a good sky!....
The plan was to go elsewhere and come back when the sun is about to set... this is obviously a game of chance... on return there could still be nothing much happening.... but well, i guess i got lucky.
ntgcmlfu said:
That's a very nice photo.
I am quite new to Photography, could you please tell me what settings you have used for this photo because I really like to take this kind of photos. I try to take every time the sun is going down but still cannot get this nice like yours.
And I still wonder, is there any specific type of metering here?
Hi, for these shots i had stacked 2 circular ND filters because i was shooting directly into the sun.... at the following settings...
- 1/200
- Aperture: f/11.0
- ISO: 200
The general rule i always use is to find the brightest area of cloud, meter it, then underexpose a few stops... this takes practice to know if your going to create too much blocking in the shadow areas... or not underexpose enough causing blown areas.... i'm waiting on a delivery of ND grad filters which will make this whole process easier for me.
clarinetJWD said:
Wow...seriously, what sort of filter/processing was used to make such beautiful pics?
Thanks joe... just the NDs stacked as far as filters... for processing its really just a combination of levels/curves adjustment layers.... masked off in certain areas... this enabled me to bring out the water a bit more after being slightly underexposed from using the solid NDs.
Mole said:
Arch your photos are always amazing With that said did you use multi exposures to make these and layer them or you just that good?
No multiple exposures here... all from one shot... i have filters, ps and of course mother earth to thank for the dramitc light in these
