I don't think it's thread pollution. It seems directly related to me. Anyway, I know you're right and that OVF's are thee
popular way to go. And for a film camera that makes total sense to me. If digital SLR makers would ever get their sh!t together we could all choose which one's we wanted. With the new HDMI connectivity it may not be long although they are WAY WAY late. 15 years ago when I purchased my second pro grade video camera I had my choice of different VFs - I opted for a $3,500 EVF and sold it 6 years later for $3,000. (That's the EVF being sold separately.) Film cameras had waist level VFs, eye level VFs, and various secondary attachments, focusing screens, etc. etc. It seems that when these companies went digital they all forgot how to design a camera and didn't pay any attention at all to the designs they had already came up with for their video products.
LiveView is totally awesome but LCDs TOTALLY suck without an optical enclosure and an adjustable diopter. If they can run a ribbon cable to the back like that (for the LCD) then they can run one to the prism area and place an LCD there.
I suppose part of my partiality towards EVFs comes from my extensive career in videography/CG. Video cameras were/are based on CCDs (digital) and while the initial move from film camera OVFs caused me some slight trepidation I soon came to understand why and now wouldn't have it any other way - had I the choice.

With the current dSLR LiveView technology where you can
- zoom up to 10x (and still be at a scaled down resolution from what the MOS/CCD is seeing) in order to focus,
- see the direct results of shutter-aperture-ISO,
- see clipping displayed in solid colors for both ends of the luminous range,
- navigate all the menus without removing your eye and refocusing on an LCD (if you can even see it in daylight),
- automatically and optionally display the last image(s) taken (in my case for 2 sec, 10 sec, and/or until I give the shutter another half-press)
- automatically view an amplified brightness level for low-light focusing,
- see ALL of your settings, histogram, etc. etc. as you shoot,
- and select any overlay screens you like,
it just makes more sense
to me than an OVF.
Examples can be seen here:
[ame]http://uk.youtube.com/watch?v=9IvsMlcuZ1Y[/ame] from 5:45 in the video.
[ame]http://uk.youtube.com/watch?v=YEcJsksxsOo[/ame] from 5:25 in the video.
[ame]http://uk.youtube.com/watch?v=xWHjZWvdtHw[/ame] from 3:15 in the video.
[ame]http://uk.youtube.com/watch?v=1vjBb-mHH-w[/ame] from 4:35 in the video.
etc.
Part of the reason dSLR users desire OVFs so much and so often
I think is two fold. One is that it's a carry-over from film SLRs where an EVF wouldn't make sense and where oldsters don't wanna learn something new (for focus and etc.). And the other thing is that so many EVFs like the Fuji you looked through, are too small, too contrasty, and don't use proper high grade diopters between the LCD and your eye making them feel distorted and fish-bowl like. Still just because OVFs are more popular doesn't make them better. They are better in general terms of optical quality but they don't relate as directly to digital photography as EVFs. If fact if they would get it together and offer an EVF option we wouldn't even need an LCD stuck on the backs of our cameras! Humpf!
