Joe, just to make sure I understand, LZ is converting the raw image when I open the image....right?....and then, it's just a matter of making some "adjustments" until I have the image I want......I understand printing b&w and color in a darkroom from film, but all this is new to me....I really appreciate the help.....
Carl.....
"making some adjustments" is sort of right, but there is more philosophy to raw.
For example, you can shoot JPG images, and then you choose your settings (like white balance, contrast, color profile like Vivid, sharpening, etc), and specifically, you adjust those settings in the camera, before you take the picture. Or maybe before you arrive at the scene. Or maybe last year when you bought the camera. Or maybe you don't even have any idea what all settings are set in there. But for JPG, the camera will process and implement those settings on every image you shoot, until you change the settings. Saying, there are settings that you can control, in the camera, before you take the image. The camera processes the sensors Raw image and creates a JPG file.
Or you can output Raw, and none of the camera setting are applied to Raw, because, well because Raw is raw, meaning not processed. Maybe like buying raw chicken from the supermarket, instead of buying fried chicken from KFC (just meaning, if you care enough to prefer to make your own final choices about processing, after you have actually seen the picture). Of course, then you still have the same concerns about adjustments (like white balance, contrast, color profile like Vivid, sharpening, etc), and can also correct exposure to some degree, but the difference is that now you decide the settings AFTER you can SEE the actual image, and then you KNOW what it needs to look like you wish. Smart adjustments, not sight unseen.
But Raw does mean unprocessed, and processing will be required.