What's new

The Italian Woman

what am I supposed to be looking at her azz?

okay, seriously. Cool shot, but from a commercial type, going for "style statement" way I think she should have been centered in it and the only one in the photo, or at least less distracting people than the guy crossing through. Tighter crop maybe.
 
It's an interesting shot, but the JPEG compression is simply dreadful...insufferably bad look on-screen.
 
It's an interesting shot, but the JPEG compression is simply dreadful...insufferably bad look on-screen.
can you explain this please? I haven't quite understood this jpeg compression thing people keep talking about far as the visual aspect.
 
Tuna, I LOVE your stuff and am always VERY excited to see a new one.

I'm not seeing it in this one. It's not a totally uninteresting scene, but if there's something that's supposed to hit me, I haven't found it yet. :(
 
It's an interesting shot, but the JPEG compression is simply dreadful...insufferably bad look on-screen.
can you explain this please? I haven't quite understood this jpeg compression thing people keep talking about far as the visual aspect.

The image has a lot of jaggies, and only sort of a suggestion of image quality. The shot is 385KB in size and 800-something x 500-odd pixels in size. The visual aspect is that there isn't much image quality to look at.
 
Diggin' the line work in this one Tuna. What is the shadow on the sunlit pavers?

The compression might not have been the best, but I imagine the original is full of detail because there is still quite a bit to see from the jpeg.

Don't be a stranger.
 
I take this as I see her looking at the store front window and the poster looking back at her... somewhat longing for / wanting something more... Shame the guy cut so far into the framing, a few seconds earlier you could have cropped him out..
 
There is some interesting framing here.
The blonde in one store front.
The man in another.
The advert face is framed as well but in a more subtle way.
I also like how all the heads line up with the stone pedestal and follow the line of the shadow.

I think it's a good shot that feels like a nice study on timing.
 
I like what sliest says. The shooter's a street guy. He saw the blonde standing there, I'm thinking texting? He quickly constructed the composition and waited for the guy to walk past the farmacia. Well done.
 
And then he sent the blonde over to Sicily for me to play with in color.
girlarchggsmall_zps928c31d8.jpg
[/URL][/IMG]
 

Create an account or login to comment

You must be a member in order to leave a comment

Create account

Create an account on our community. It's easy!

Log in

Already have an account? Log in here.

New Topics

Back
Top Bottom