Okay so I made it too dark for your taste, whatever.
And blocked the shadows, which was why I did the HDR in the first place.
My point is more that contrast and HDR are not necessarily related dimensions.
Very true. I often get comments saying "this doesn't even
look like an HDR." Whatever that's supposed to mean. This one works better with more muted tones. But if you like more vivid colors, you see that's also an option, but you don't have to lose detail to get them.
You can have low contrast HDR that shows all details.
Or high contrast, if you like. See above.
You may not prefer my particular edit
For a good reason. There are some really lush and interesting details in the shadows, and if you like aircraft and vintage technology, they are well worth the effort to keep them.
but the broader issue is that HDRs often end up way too gray, while there's no reason they have to be, because you can control contrast and HDR-ness separately.
You don't like muted tones in a photograph. That's not a problem, it's a personal preference. Which I honor. We don't all like the same things. But shooting aircraft, detail counts a great deal. And I like the more vivid one I did for you, because the detail isn't lost.
And usually a really gray photo is MUCH more of a problem than a tiny loss of detail here or there.
Depends on how much detail, and how much "gray."
Too gray on the large scale means people won't even stop and look in the first place, so they're not gonna see the detail anyway.
It's been well-received on a number of photo sites. That doesn't mean you're wrong; it just means that not everyone sees it the way you do.
HDR is not a replacement for compelling large scale composition and large scale contrast and shapes.
It's just to increase the dynamic range so that more of the photo is accessible. And that's how I generally use it. The "neon sign" school of HDR is interesting, and has valid things to say. But it's not what I like. So we end up at the issue of personal preference. And yours is as legitimate as anyone else's.
I see why you could like your edit. It's not a bad approach. It just doesn't do what I wanted the shot to do. Thanks for your interest and input. I mean that sincerely. These conversations help to make us better photographers.