AlanKlein
Been spending a lot of time on here!
Can someone explain? What is the histogram of the luminosity? Is that clipped at all? What if one channel is clipped?
I haven't had my camera very long and am trying to learn more about the histogram. When I open the raw file the blue is clipped in every single one of my photos. It doesn't matter what mode I'm, even auto. The blue is always clipped. Can anyone tell me what is causing this, or what am I doing wrong?
Thank youOP stands for "original post" or "original poster".I still don't know what the OP stands for, lol.
I have a Canon T3i and I shoot raw and save to jpeg. I am glad Unpopular answered the other question you asked because I didn't even know where to find that information. I still use the basic guided sections in Photoshop Elements, and I haven't even begun to get into the luminosity histogram yet. I'm still struggling with the RGB one. I will have to look up what you said about compensating for the blue issue and see how to do that. It doesn't seem to matter what time of day or lighting. The only thing that take the blue clipping away is to lighten the black value and lighten the shadows, but then there's not enough contrast in the photo.I haven't had my camera very long and am trying to learn more about the histogram. When I open the raw file the blue is clipped in every single one of my photos. It doesn't matter what mode I'm, even auto. The blue is always clipped. Can anyone tell me what is causing this, or what am I doing wrong?
I don't see a mention of which camera you are using. However, it may be possible to reduce your clipping issue.
If you are shooting in RAW capture, I'd place more importance on the luminosity histogram and not be too concerned about the individual channels - if the image doesn't appear to be blown out. Find software which will allow you to better control the final result in your processing.
If you are shooting in Jpeg format, you should be able to control color intensity/saturation/hue in your menu set up. You should be able to set detailed values for at least the RGB set up. If your camera has custom shooting modes, set up one mode to compensate for your blue balance issue. Do you have any automatic detection systems engaged on your camera?
You might also play with your white balance controls; How to Set White Balance While white balance can be adjusted for your RAW files in your computer, this should give you more control over the appearance of your Jpeg's.
Are you noticing this issue more when you shoot at certain times of the day? Under certain lighting conditions?
Tones & Contrast
Expose To The Right of the histogram - ETTR
- Understanding Histograms, Part 1: Tones & Contrast
- Understanding Histograms, Part 2: Luminosity & Color
- Using the "Levels" Tool in Photoshop
- Using the "Curves" Tool in Photoshop
ETTR advocates exposing for the highlights in a scene and letting the shadows take care of themselves.
Film exposure is exactly the opposite - Expose for the shadows and let the highlights take care of themselves.
Optimizing Exposure - Luminous Landscape
ETTR
The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop (2nd Edition)
Real World Image Sharpening with Adobe Photoshop, Camera Raw, and Lightroom (2nd Edition)
Thanks for answering that question. I wasn't sure where to find the info.No. Overall luminosity is not clipped. Median is 70, Mean is 80.76 with a standard deviation of 42.3. Significant highlight detail begins at level 220. So it's dark, but not under exposed.
It could use a stop or so more exposure, and there is prob 1.5-2 stops more latitude available to work with.