Out of control with aperture 1.8 !

GMan_nz

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Hi people – first time writer, short time reader…

I’ve been learning to use my D50 for about 6 months, starting with the 18-55mm kit lens, then 70-300mm zoom, and now I’ve recently been given (thanks Santa!) the next lens I wanted, a 50mm f1.8 prime.

I’ve always had a good understanding of effects of various types of motion with various shutter speeds from using a point & shoot (seems a pretty simple and intuitive concept to most people), and I think I have a pretty good handle on how aperture settings affect the final image in terms of decreased depth of field at low f-numbers, and slower shutter speeds required by higher f-numbers (when using aperture priority).

The problem is that I’m fascinated by this creative control that aperture priority allows. I can’t seem to help myself keeping the aperture as wide as possible to achieve the shortest depth of field I can – partly because I enjoy highlighting to people the effect it has in order to help them understand the benefits of a dSLR. I should mention that one of the key reasons I asked Santa for this new prime was actually more about keeping shutter speeds fast and blur limited in low-light – not so much to do with DOF.

I see plenty of perfectly good photos where a lot of the image is in focus. I’ve read that a good way to learn about composition in the field is to go walkabout with a 50mm or 85mm lens, but I can’t seem to get past this idea that I should have a particular subject pin sharp and everything else blurry.

My question is really – how do I wean myself off this shallow depth of field buzz that I’m on. And related to this, what is a useful range of aperture settings with a 50mm lens that will help me get interesting images out in the real world?

Thanks in advance.
 
Hate to break your bubble - but it is all in the eye of the beholder. Perhaps your 'style' is a very very shallow depth of field. The sharpest aperture on the 50mm 1.8 is probably around 2 - 3ish. Happy shooting with your new lens :)
 
I'm no help there. I prefer short DOF myself and have been exploring it for a while now.
Is there a reason you feel that you need to? As Brittany said, maybe that's just part of your current style.
 
You'll branch out, don't worry.

Shoot some macro stuff. You'll find that at such close range, you can't even keep your whole subject in focus at f/1.4.
 
I second the landscapes idea f1.8 won't go very far there :)

I think I have your shallow depth of field disease though I love that lens and always shoot with it wide open!
 
Yep, Santa just sent me the 50mm f/1.8, and I can't help but love what short dof does. I like the way it directs the viewer's eye to where you want it, and it makes for very interesting shots to me.

Guess that's not much help in getting you to stop shooting wide open... :lmao:
 
Hmmm . . .would still be keen to hear advice about useful aperture settings if was to, say go walkabout in a park or at the Wellington waterfront where there are interesting sculptures, children playing, people doing their weekend thing etc etc.

At least I know I'm not alone in my shallow-DOF problem . .:lol:
 
When taking pictures of people, I would guess the slowest you want to go is about f/11 or so, and then I say that with some reservation. However, since you have the D50, you might as well experiment some.

My first shoot with my camera was awful, since I hadn't picked up a SLR in years, but it was one of the best learning experiences I've had yet. I went out, took a bunch of crappy shots, threw most of them away (great reason for digital!)...in fact, I seem to remember about 3 good shots out of 200.

So get out, enjoy your camera, and get a feel for it. I literally sat with my camera, and took pictures of my wife, turning the F-Stop up one stop at a time, just keeping it the same aperture. Very good thing to try.

I'd love to see your results!
 
I assure you it is far from a problem :) Well, I hope not or else I need to go into rehab.

If you see my last post (Fine at 50 I think it was called) I had f/1.2 and f/1.6 on a few! Now that being said, it is probably 'safer' going around f/8 or so to assure that both eyes are in focus. If the eyes are not on the some 'plane' in relevance to the sensor, one eye will be tack sharp and the other will be a blur (in some cases this works but.. the majority of the time no).

For walking around, try working with the sunny 16 rule.
 
Another reason you might want to try out different apertures (I think someone else mentioned this) is try taking the same shot with different apertures then viewing the shot at 100% on your PC. You should notice right away where the sweet spot is on the lens that'll give you the sharpest possible image. Seeing that difference in sharpness might motivate you to gravitate away from 1.8.

I have the lens too though and it took AWHILE before I even cared to notice other apertures on that. Awesome lens.
 
...how do I wean myself off this shallow depth of field buzz that I’m on.

Nothing wrong with a good buzz. Go with it.

See if you can find Huger Foote's book "My Friend From Memphis". Since no one has ever heard of him, it's usually in the bargin bin, but it's full of some of the coolest shallow DOF urban landscapes I've ever seen. Unfortunately there isn't much of his best stuff on the web.

It starts at $12 on amazon.com

[ame]http://www.amazon.com/gp/offer-listing/1861541961/sr=8-1/qid=1169043790/ref=sr_1_olp_1/104-2123762-9880711?ie=UTF8&s=books[/ame]
 
I use wide aperatures only when the situation calls for it. Others use it often. It depends on the subject the shot and your personal taste.

Have a look through the lens, a SLR is there so you can see exactly what you will get. If you feel the shot looks great with low DOF then take it at 1.8, but before you do, try stopping up to f11 or higher even and tap the DOF preview button next to the lens.

You may find after you actually see the image in full DOF you'll like the smaller aperature more.
 

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