Dominantly
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- Jul 30, 2009
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- #31
I agree to a point in certain situations. For example, a warship that I shot this with was over 400' long and was backing up at me at an angle. when I started shooting I made sure to refocus on each part of the ship as I moved along it, from stern to bow, ensuring the whole thing was sharp. I just had to avoid having it focus on the water and background.
The conventional way to shoot that would have been to stop down, but I find that basically focus stacking in a pano stitch produced better results.
The conventional way to shoot that would have been to stop down, but I find that basically focus stacking in a pano stitch produced better results.






